Günther Schemmler

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

The 17th Centyury German anthem by Coln in a festival setting for mixed choir. Treble introduction is followed by a male chorus refrain and then in full mixed chorus A Cappella recapitulation and clim...

The apex of choral composition for double choir in a thundering, triumphant polyphonic salutation. An important experience in every choral musician's 'entwicklung.'

Psalm 24 poses the question and answer neatly performed by solo tenor section. 'He that hath clean hands.' Modern acapella setting.

A lilting modern setting of the Kodaya's Carol with stunning voice leading. Always a Saint Olaf College Choir favorite.

A choral motet in three separate octavos by Gustav Schreck, arranged and edited by Olaf C. Christiansen. One of Christiansen's great contributions to the modern American choral repertory is to make th...

A choral motet in three separate octavos by Gustav Schreck, arranged and edited by Olaf C. Christiansen. One of Christiansen's great contributions to the modern American choral repertory is to make th...

A choral motet in three separate octavos by Gustav Schreck, arranged and edited by Olaf C. Christiansen. One of Christiansen's great contributions to the modern American choral repertory is to make th...

Ouvertüre (Originalkomposition)