Gus Kahn

In classic Count Basie style, Mark Taylor's well-crafted arrangement of this familiar standard is set in a medium slow swing style and features the full ensemble perfectly scored to sound rich and ful...

In classic Count Basie style, Mark Taylor's well-crafted arrangement of this familiar standard is set in a medium slow swing style and features the full ensemble perfectly scored to sound rich and ful...

In classic Count Basie style, Mark Taylor's well-crafted arrangement of this familiar standard is set in a medium slow swing style and features the full ensemble perfectly scored to sound rich and ful...

In classic Count Basie style, Mark Taylor's well-crafted arrangement of this familiar standard is set in a medium slow swing style and features the full ensemble perfectly scored to sound rich and ful...

In classic Count Basie style, Mark Taylor's well-crafted arrangement of this familiar standard is set in a medium slow swing style and features the full ensemble perfectly scored to sound rich and ful...

In classic Count Basie style, Mark Taylor's well-crafted arrangement of this familiar standard is set in a medium slow swing style and features the full ensemble perfectly scored to sound rich and ful...

In classic Count Basie style, Mark Taylor's well-crafted arrangement of this familiar standard is set in a medium slow swing style and features the full ensemble perfectly scored to sound rich and ful...

In classic Count Basie style, Mark Taylor's well-crafted arrangement of this familiar standard is set in a medium slow swing style and features the full ensemble perfectly scored to sound rich and ful...

In classic Count Basie style, Mark Taylor's well-crafted arrangement of this familiar standard is set in a medium slow swing style and features the full ensemble perfectly scored to sound rich and ful...

Obwohl es von der Miller-Band nie kommerziell aufgenommen wurde, weil die Spielzeit des Charts zu lang war, um auf eine 78-rpm-Platte zu passen, war The Hour of Parting eine oft gespielte Nummer im Mi...