Harry Carleton

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

Die "Ungarischen Tänze", die direkt das warme Blut der ungarischen Zigeunermusik heraufbeschwören, bestehen aus 21 Tänzen, die ursprünglich für Klavier zu vier Händen komponiert wurden. Vielleicht wen...

Die "Ungarischen Tänze", die direkt das warme Blut der ungarischen Zigeunermusik heraufbeschwören, bestehen aus 21 Tänzen, die ursprünglich für Klavier zu vier Händen komponiert wurden. Vielleicht wen...

The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The fourth dance from the first s...

The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The fourth dance from the first s...

By 1817, the 20-year-old Franz Schubert was eager to reach further fame through opera. In an attempt to demonstrate his potential and encouraged by the success of the overtures by Rossini, he would co...

By 1817, the 20-year-old Franz Schubert was eager to reach further fame through opera. In an attempt to demonstrate his potential and encouraged by the success of the overtures by Rossini, he would co...

The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The sixth dance from the first se...

The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvor(ák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The sixth dance from the first se...

The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvorák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The second dance from the first se...

The 'Slavonic Dances' are a series of 16 orchestral pieces composed by Antonín Dvorák in 1878 and 1886 and published in two sets as Opus 46 and Opus 72 respectively. The second dance from the first se...

16 Seiten.

L'amour est un oiseau rebelle ist eine Arie aus dem ersten Akt der Oper Carmen von Georges Bizet. Das Stück ist im Rhythmus einer Habanera komponiert, einem Tanz, der ursprünglich von der Insel Kuba s...

Für Blechbläserquintett, Partitur 4 S. und Stimmen. Hören Sie sich das Hörbeispiel an, um einen unmittelbaren Eindruck vom Klang dieser Bearbeitung zu bekommen. Die von der Polka abgeleitete Polka Maz...

L'amour est un oiseau rebelle ist eine Arie aus dem ersten Akt der Oper Carmen von Georges Bizet. Das Stück ist im Rhythmus einer Habanera komponiert, einem Tanz, der ursprünglich von der Insel Kuba s...