Harry R. Gee

Firmly established as one of the most performed alto saxophone solos on contest and festival lists throughout the world. This solo piece, originally written for oboe and continuo in C minor, includes...

This arrangement for tenor saxophone by Harry Gee includes and Andante in 3/4 followed by an Allegro in a 6/8 which includes quick slur-staccato patterns and a few large leaps to both the upper and lo...

The 3rd part is printed for both alto saxophone and tenor saxophone to lend flexibility to the instrumentation.

A two-movement work playable by advanced middle school and high school players.

Dieses schöne, vertraute Thema aus dem Winterteil von Vivaldis jahreszeitlichem Meisterwerk passt sich gut an das Idiom des Klarinettenquartetts an. Jeder Spieler trägt einen Teil der Verantwortung fü...

This 16th Century dance in 2/4 time, called a Bransle, has been arranged for woodwind quintet by Harry Gee. The grade 1 setting has substitute parts to provide greater flexibility; 2nd Bb clarinet for...

This appealing festival favorite in ABA form places an uptempo interlude in G major between expressive opening and closing themes in the key of C.

Originally written for clarinet and piano, this canzonetta by Pierne has been transcribed for either Eb alto saxophone, Bb tenor saxophone or soprano saxophone.

The 'Allegro Spiritoso' is the 3rd movement of a Sonata in D Minor. Versions for following instruments are available from the publisher: alto clarinet, bass clarinet, contra alto clarinet, contrabass...

Dieses Solo der Stufe 3 enthält eine lyrische Melodie und zeitgenössische Harmonisierungen. Alternative Fingersätze und Artikulationen wurden vom Komponisten sorgfältig notiert. Dieses Stück ist ideal...

This grade 2 arrangement of the beloved classic by Arthur Sullivan is suitable for young clarinetist, as it stays below the break for most of the piece. Rhythms are appropriate for the grade level, an...

The perfect piece for the advanced beginner or intermediate clarinetist. This lyrical, multi-sectional work in a major key is an ideal vehicle for young players to develop their technique and tone.

With sweeping, legato, syncopated lines over a rhythmic piano accompaniment, this easy solo sounds great and is perfect for learning to navigate the break at moderate tempos.

This collection includes the following titles: I. Sicilian Air (Pergolesi), II. Larghetto (Mozart), III. Andante (Diabelli), IV. Largo (Handel), V. The Linden Tree (Brahms), VI. Andantino, Op. 13 (Kab...

This transcription by Harry Gee can be performed not only on tenor saxophone, but also on soprano saxophone or clarinet.

Originally written for clarinet and piano, this canzonetta by Pierne has been transcribed for either Eb alto saxophone, Bb tenor saxophone or soprano saxophone.

Johann Ernst Galliard (1687-1749), like Handel, came under the incluence of the Italian style. Arranger Harry Gee has taken two movements from Galliard's SIX SONATAS FOR BASSOON OR VIOLONCELLO which s...

Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...

Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...

Rabaud's famous Solo de Concours was used for the Paris Conservatory clarinet competition between 1901, '08, and '37. Harry Gee has transcribed the work for alto saxophone and piano, and has also arra...

Rabaud's famous Solo de Concours was used for the Paris Conservatory clarinet competition between 1901, '08, and '37. Harry Gee has transcribed the work for alto saxophone and piano, and has also arra...