Harry Seeger

Scored for younger duos, this funky rock, boogaloo-style number featuring hand claps, thigh pats and foot stomps is terrific fun for everyone who performs or hears it. As above, two copies of the scor...

Audiences hearing this trio for the first time will have to fight the urge to get up on their feet and dance! This piece features two distinct sections - 32 bars of medium tempo. Rap-style rock follow...

The wild west lives on in this portrayal of cowboys on horseback galloping allegro vivace to catch up with their runaway herd. All three parts call for hand claps, tummy and thigh pats, and foot stomp...

The syncopated, accented rhythms in this swinging trio emulate the drumming style of the legendary Gene Krupa. Audiences will be dancing in the aisles as hand claps, foot taps, vocalizations, and thig...

Contents: I. Mountain Song and II. Rosewood Forest

The eight solos contained in this grade 3-5 collection are suitable for any performing venue or pedagogy. Techniques of tuning, muffling, double-stops and staccato-legato are employed. Styles include...

Series Timpani Solo. Grade 5-6 Features Timpani Solo (Unaccompanied). The six solos in this collection were inspired by the nicknames of some of the greatest baseball players of all time - all inducte...

Series Timpani Solo. Grade 5-6 Features Timpani Solo (Unaccompanied). The six solos in this collection were inspired by the nicknames of some of the greatest baseball players of all time - all inducte...

This solo collection for contest, recital, audition and lessons presents ten solo originals. 8 are written for two timpani, and 2 are written for three drums. Only the last solo requires just a few tu...

This solo collection for contest, recital, audition and lessons presents ten solo originals. 8 are written for two timpani, and 2 are written for three drums. Only the last solo requires just a few tu...

Series Timpani Solo. Grade 3-4+ Features Timpani Solo (Unaccompanied). Intended as a follow-up to Murray's collection for young timpanists, the solos in this volume present developing players with a m...

Series Timpani Solo. Grade 1-3 Features Timpani Solo (Unaccompanied)

While the 9 duets in this collection are certainly suitable for recitals, they were primarily designed for studio teaching and pedagogy. Various contemporary styles of drum set playing are represented...

While the 9 duets in this collection are certainly suitable for recitals, they were primarily designed for studio teaching and pedagogy. Various contemporary styles of drum set playing are represented...

Dauer: 2:05

The ten solos in this grade 3-5 collection provide the multiple percussionist with a variety of fresh material for recital, contest, audition or studio lesson/pedagogy. The study of these solos provid...

The ten solos in this grade 3-5 collection provide the multiple percussionist with a variety of fresh material for recital, contest, audition or studio lesson/pedagogy. The study of these solos provid...

Series Multiple Percussion Solo. Grade 4 Features Multiple Percussion Solo (Unaccompanied). This fun-loving excursion in 4/4 time features several percussion phones including an idiophone (woodblock),...

Series Multiple Percussion Solo. Grade 4 Features Multiple Percussion Solo (Unaccompanied). This fun-loving excursion in 4/4 time features several percussion phones including an idiophone (woodblock),...

Vocal solo with concert band accompaniment. Excerpted from: Africaine, L'

The 18 solos in this collection give the young percussionist an opportunity to perform on snare drum, timpani (2), and mallet percussion instruments. Six grade 1-2 solos are included for each instrume...

Wie die Titel dieser Sammlung von 4 Duetten schon andeuten, ist diese Musik eine Hommage an die Schlagzeuggrößen des 20. Jahrhunderts und zelebriert ihre charakteristischen Stile: Ringo Starr & Charli...

Playable by well-trained 8th graders on up, this mixed trio is a fun-loving blues shuffle featuring improvisation opportunities for all. As an added bonus, instrumentation requirements are more flexib...

A convincing performance of this medium-tempo march depends upon the ability of the players to observe the ebb and flow of dynamic changes throughout. The D.C. al Fine in bar 56 means that the opening...