Hector Berlioz

The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. In t...

Berlioz's most famous Romantic Era standard, 'Symphony Fantastique' is a colorful, evocative musical masterpiece that continues to withstand the test of time, pleasing all audiences. In this transcrip...

Berlioz considered it very important that listeners should understand the program of the cycle of five movements which made make up his most famous 'Symphonie Fantastique', so he insisted that audienc...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

Great Classical Music for Winds The Washington Winds Conducted by Edward Petersen Einmal gehört - immer geliebt: hören Sie diesen Aufnahmen zu, und Sie verstehen, was es heisst, klassische Musik von e...

Diese Bearbeitung des bekannten Liederkreises von Berlioz wurde im Jahr 2008 von einem niederländischen Ensemble in Auftrag gegeben. Arrangeur Henk de Vlieger machte es sich zur Aufgabe, den intimen C...

Viola und Klavier alto et piano Création le 21 janvier 2010, à l'Auditorium du Louvre - Paris (France), par Arnaud Thorette (alto) et Johan Farjot (piano).

Following the composition of Harold en Italie for viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini, which subsequently failed on its first performances at the Paris Opera...

Hector Louis Berlioz: 24 Mélodies (mezzo/bar) (Voice & Piano)

Texte et Musique de Rouget de Lisle (1792), pour Voix, Choeur et Orchestre. Partition d'orchestre [éd. Co].

Fortsetzung zur Symphonie fantastique. Urtext der New Berlioz Edition. Tenor solo (2), Bariton solo, Sprecher, Gemischter Chor-SSTTBB, Flöte (2), Oboe (2), Klarinette in b (2), Fagott (2), Horn (4), T...