Helmut Eder

Lament (‘Ae, fareweel, and then forever’), composed by James Dillon for piano solo in digital sheet music format [EP73743].

The 10th volume of Domenico Scarlatti's Sonate per clavicembalo represents a crucial landmark of this series, i. e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer...

These thirty sonatas are collectively entitled Essercizi and were the first published works of Scarlatti. They appeared in 1738 and it is a striking biographical fact that previous to this, in the com...

This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author's intentions (in...

This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author's intentions (in...

This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author's intentions (in...

Contents: Sonatas 154-213. This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to t...

This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author's intentions (in...

This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author's intentions (in...

This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author's intentions (in...

This critical edition of all the sonatas of Domenico Scarlatti is justified by the necessity of offering performers and scholars a text which is philologically faithful to the author's intentions (in...

Details: 1 Solovioline, 1 erste Violine und 2 Pulte (4 Violinen 1), 1 zweite Violine und 2 Pulte (4 Violinen 2), 4 Violen, 3 Celli, 1 Kontrabass, Schlagzeug (Glockenspiel, Vibraphon, Tam-Tam, Bongos,...

Details: 1 Flöte (kleine Flöte), 1 Flöte, 1 Flöte (Altflöte), 1 Oboe, 1 Oboe d'amore (Englischhorn) , 1 En-Klarinette, 1 Bassetthorn, 1 Bassklarinette, 4 Hörner, 2 Trompeten, 3 Posaunen, 1 Tuba, Schla...

Die Aufführung der Krönungsmesse und des Requiems anlässlich der Einweihung des Mozart-Denkmals in Salzburg im September 1842 wurde von Sigismund Neukomm (Salzburg, 1778-Paris, 1858) dirigiert, einem...

Die Aufführung der Krönungsmesse und des Requiems anlässlich der Einweihung des Mozart-Denkmals in Salzburg im September 1842 wurde von Sigismund Neukomm (Salzburg, 1778-Paris, 1858) dirigiert, einem...

Details: 3 Flöten (1. und 2. spielen die kleine Flöte), 1 Oboe, 1 Oboe d'amore, 1 Englischhorn, 1 Klarinette, 1 Bassetthorn, 1 Kontrabassklarinette, 2 Fagotte, 1 Kontrafagott, 4 Hörner, 2 Trompeten, 3...

Details: 4 Flöten (zwei davon spielen die kleine Flöte und die Bassflöte), 2 Oboen, 1 Englischhorn, 4 Klarinetten (die dritte spielt die Bassklarinette und die vierte die Kontrabassklarinette), 2 Fago...

Details: für zwei Solisten (Mezzosop., Bariton), Chor, kleines Orchester (Fl., Kl., Horn, Tuba cb., 2 Perk., Pno und Clav., 5 Vl.I , 3 Vl. II, 3 Viola, 2 Vlc., 2 Cb.) und festgelegte Klänge