Herbert Schneider

Folk favorite in a version that features each section. Artist Level Dur: 1:25

Veteran arranger Lloyd Conley has arranged this beloved folk ballad in a new setting that is ideal for teaching lyrical style, including sections to feature the low strings, all accompanied by a gentl...

Lloyd Conley hat ein wunderbares Arrangement von Auszügen aus einer von Verdis berühmtesten Opern geschaffen. Diese vertrauten Melodien sind sehr gut für ein Blasorchester geeignet und werden sicherli...

Clever arrangement for 3 advancing flutist and a piccolo.

One of the all-time great staples for piano, this Ludwig van Beethoven favorite adapts well to a solo setting for grade 4 flute. The interplay between flute and piano is a bit tricky in places, but se...

One of the all-time great staples for piano, this Ludwig van Beethoven favorite adapts well to a solo setting for grade 4 flute. The interplay between flute and piano is a bit tricky in places, but se...

Mozart's opera, 'The Magic Flute' is so lively with elements of fantasy and free-flying imagination that it is often the first opera that children are exposed to. It has so much easily accessible char...

Mozart's opera, 'The Magic Flute' is so lively with elements of fantasy and free-flying imagination that it is often the first opera that children are exposed to. It has so much easily accessible char...

This renowned Mozart Overture is a gem of logic and brilliance. Concessions were made to allow winds to play the extended and busy string parts, but the substance remains. Although not easy - performe...

Woodwind Quartet: Flute, Oboe (sub Fl2), Clarinet, Basson (sub Bass Clar)

Diese anspruchsvollen zweistimmigen Inventionen von Bach sind für Flöte und Klarinette geschrieben.

Flute, Oboe, Bb Clarinet, Horn in F, Bassoon (opt. Bass Clarinet) Brass players will definitely enjoy playing this arrangement of the celebrated theme from the second movement of Bach's Orchestral Sui...

Flute, Oboe, Bb Clarinet, Horn in F, Bassoon (opt. Bass Clarinet) Brass players will definitely enjoy playing this arrangement of the celebrated theme from the second movement of Bach's Orchestral Sui...

Johann Sebastian Bach's eternal melody continues to soothe the soul after some 300 years! As presented here in a solo and accompaniment format at the grade 3 level, the melody is both technically and...

This immortal theme from Borodin's Prince Igor gives young soloists a welcome chance to play with great dramatic expression. In a brief cadenza near the end, the soloist has the option to ad lib or pl...

Ludwig van Beethoven wrote Bagatelle No. 25 in A Minor, subtitled Für Elise, in 1810. Featuring the warm, expressive lines we've come to know and love, this theme lies exceedingly well on the instrume...

Taken from early classical guitar music, Allegretto is a sort of period minuet, and clearly demonstrates the Italian style that parallels the work of Beethoven. Lloyd Conley brings us this well-crafte...

Taken from Mozart's 17 Divertimenti for Various Instruments, this transcription makes ideal teaching and performance material with integral, interesting writing for all instruments.

Sir Arthur Sullivan wrote fourteen comic operas with librettist W. S. Gilbert, plus overtures, oratorios, cantatas, operettas and other incidental music. The Mikado was written in 1885 after a tempera...

Sir Arthur Sullivan wrote fourteen comic operas with librettist W. S. Gilbert, plus overtures, oratorios, cantatas, operettas and other incidental music. The Mikado was written in 1885 after a tempera...

Based on Largo al factotum, this waltz theme appears in Act I of what many consider to be the classic of comedic operas. Lloyd Conley has created an ideal teaching and performance setting for intermed...