J. Wallace

Melodic Playing At The Octave, composed by Dmitri Kabalewski and arranged by Marion Harewood and Fanny Waterman for piano solo in digital sheet music format.

Swinging, composed and arranged by Marion Harewood and Fanny Waterman for piano solo in digital sheet music format.

Look At Me, E F G, composed and arranged by Marion Harewood and Fanny Waterman for piano solo in digital sheet music format.

Hear Me Play, C B A, composed and arranged by Marion Harewood and Fanny Waterman for piano solo in digital sheet music format.

Tune For Violin, composed and arranged by Marion Harewood and Fanny Waterman for piano solo in digital sheet music format.

Tune For Cello, composed and arranged by Marion Harewood and Fanny Waterman for piano solo in digital sheet music format.

Bugle Call, composed and arranged by Fanny Waterman for piano solo in digital sheet music format.

The traditional work Sailor Boy, When Will You Marry Me, arranged by Fanny Waterman for Piano Solo in digital sheet music format.

The traditional work Lavender's Blue, arranged by Fanny Waterman for Piano Solo in digital sheet music format.

Campdown Races, composed by Stephen Foster and arranged by Fanny Waterman for Piano Solo in digital sheet music format.

Die Ausgabe für Akkordeonorchester ist mit der Blasorchesterfassung dieses Werkes kombinierbar! Eine kurze wirkungsvolle Nummer, bestens geeignet für stimmungsvolle Auftritte oder zum Ständchen. Der U...

Group A: 3 tpt - perc(1): t.bells/susp.cym Group B: 2 hn (or Wagner tubas/euphoniums etc.) - 3 trbn - tuba - perc(1): 2 tam-t Group C: 4 hn - perc(1): t.bells

Fl,Vl,Va,Vc

Gemischter Chor - SATB {20./21. Jahrhundert}

Gemischter Chor - SATB {20./21. Jahrhundert}

‘Fantastical lunar beauty’ The Times (Hilary Finch), 4 November 2002

... a sumptuous piece, clotted with color, dense with incident, yet also transparent in its deisgn: it lets you know where you are. Richard Dyer, Boston Globe, 7 August 1991, Instrumentation: fl(=afl)...

A tightly constructed work inspired by Shakespeare's description of Ophelia's madness, it blends wind, string and keyboard timbres superbly and moves easily between sprightliness and dreamy introspect...

Taking the word Hum literally, Knussen has subjected A.A.Milne to some lighthearted but intense expressionist treatment, even developing a series of aphorisms which present such incidents as Piglet me...

Composer's note: 'The 12th-century organa of the Notre Dame school (most notably those of Pérotin) employ plainchant as the slow foundation for rapid, ecstatic, dance-like melismata. In June 1994 I us...

Instrumentation: 1111 - 1000 - 2 vln.vla.vlc