James Kazik

The powerful and sensitive song from the popular Celtic Woman stage show is effectively arranged for strings by Jim Kazik. The flexible format also allows the arrangement to accompany a vocal or instr...

The powerful and sensitive song from the popular Celtic Woman stage show is effectively arranged for strings by Jim Kazik. The flexible format also allows the arrangement to accompany a vocal or instr...

The powerful and sensitive song from the popular Celtic Woman stage show is effectively arranged for strings by Jim Kazik. The flexible format also allows the arrangement to accompany a vocal or instr...

The powerful and sensitive song from the popular Celtic Woman stage show is effectively arranged for strings by Jim Kazik. The flexible format also allows the arrangement to accompany a vocal or instr...

The powerful and sensitive song from the popular Celtic Woman stage show is effectively arranged for strings by Jim Kazik. The flexible format also allows the arrangement to accompany a vocal or instr...

This ideal teaching piece features all quarter notes in a confidence-building ensemble style, as well as good use of dynamics and pizzicato for beginning students.

This ideal teaching piece features all quarter notes in a confidence-building ensemble style, as well as good use of dynamics and pizzicato for beginning students.

This ideal teaching piece features all quarter notes in a confidence-building ensemble style, as well as good use of dynamics and pizzicato for beginning students.

This ideal teaching piece features all quarter notes in a confidence-building ensemble style, as well as good use of dynamics and pizzicato for beginning students.

This ideal teaching piece features all quarter notes in a confidence-building ensemble style, as well as good use of dynamics and pizzicato for beginning students.

This ideal teaching piece features all quarter notes in a confidence-building ensemble style, as well as good use of dynamics and pizzicato for beginning students.

This ideal teaching piece features all quarter notes in a confidence-building ensemble style, as well as good use of dynamics and pizzicato for beginning students.

In a stately march tempo, Nobles of the Sword features tonal centers in A minor and C major, and is written in tutti style with ample opportunities to teach common rhythms (including dotted quarter/ei...

In a stately march tempo, Nobles of the Sword features tonal centers in A minor and C major, and is written in tutti style with ample opportunities to teach common rhythms (including dotted quarter/ei...

In a stately march tempo, Nobles of the Sword features tonal centers in A minor and C major, and is written in tutti style with ample opportunities to teach common rhythms (including dotted quarter/ei...

In a stately march tempo, Nobles of the Sword features tonal centers in A minor and C major, and is written in tutti style with ample opportunities to teach common rhythms (including dotted quarter/ei...

In a stately march tempo, Nobles of the Sword features tonal centers in A minor and C major, and is written in tutti style with ample opportunities to teach common rhythms (including dotted quarter/ei...

In a stately march tempo, Nobles of the Sword features tonal centers in A minor and C major, and is written in tutti style with ample opportunities to teach common rhythms (including dotted quarter/ei...

In a stately march tempo, Nobles of the Sword features tonal centers in A minor and C major, and is written in tutti style with ample opportunities to teach common rhythms (including dotted quarter/ei...

In a stately march tempo, Nobles of the Sword features tonal centers in A minor and C major, and is written in tutti style with ample opportunities to teach common rhythms (including dotted quarter/ei...

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...