James Whitbourn

A celebratory carol in a lilting 12/8 metre, Christmas Welcome sets a joyful fifteenth-century text by John the Blind Audelay. Whitbourn employs textural contrasts and call-and-response style pairings...

A celebratory carol in a lilting 12/8 metre, Christmas Welcome sets a joyful fifteenth-century text by John the Blind Audelay. Whitbourn employs textural contrasts and call-and-response style pairings...

Für sein ausdrucksstarkes und leicht zugängliches Arrangement der beliebten Melodie, die vielen als "Carol of the Bells" bekannt ist, hat Whitbourn einen neuen Text geschrieben, der das eigentliche Er...

For his expressive and accessible arrangement of the popular melody known to many as 'Carol of the Bells', Whitbourn has written new lyrics that reflect the melody's true heritage, the Ukrainian folks...

Composed for the Eucharist of Christmas Night 2004, at the Cathedral Church of Christ and the Blessed Virgin Mary, Rochester, in the year of the 1400th anniversary of the cathedral's foundation. Miss...

Christmas Carol for SATB choir and Organ. First performed December 12th 2010 in the Chapel of King's College, Cambridge by the choir of King's College, Cambridge, conducted by Stephen Cleobury.

Commissioned for the choristers of St Wulfram's Parish Church, Grantham, and first performed 18th December 2011, under the direction of Tim Williams.

Soprano Saxophone.

Soprano Saxophone. Soprano Saxophone Part for James Whitbourn's 'Son Of God Mass'.

Optional Piccolo (or Fife) part for James Whitbourn's Missa Carolae.

Harfenstimme für James Whitbourns Vertonung eines kraftvollen Gedichts von John Henry Newman für Oberstimmen.

Gitarrenstimme für James Whitbourns Vertonung eines kraftvollen Gedichts von John Henry Newman für gemischte Stimmen.