Jean Aubin

Paul Dessau widmete seine Kleinste Nachttopfmusik Bertold Brechts Enkeltochter Johanna Stephanie Brecht. Alle Liebhaber der Kleinen Nachtmusik von Wolfgang Amadeus Mozart werden ihre Freude an diesem...

Partitur (zugleich Spielpartitur)

A distinguished musicologist explores nineteenth-century French art songs in this fascinating study of the melodies of Berlioz, Liszt, Bizet, Saint-Saëns, Franck, Fauré, and others. The songs are desc...

For Oboe and Percussion.

That's A Good Question erörtert, wie das Stellen von Fragen im Studio eine effektive Unterrichtsstrategie sein kann. In diesem umfassenden Buch wird behandelt, welche Fragen man stellen sollte und wie...

A single voice states the opening phrase before it returns in ethereal 4-part women's harmony in this gorgeous setting of the mass text. Close harmonies and gentle motivic imitations throughout invite...

A single voice states the opening phrase before it returns in ethereal 4-part women's harmony in this gorgeous setting of the mass text. Close harmonies and gentle motivic imitations throughout invite...

Multi-dimensional imagery and music combine in this emotional homage to the power of abiding love. Challenging, yet intensely satisfying.

Multi-dimensional imagery and music combine in this emotional homage to the power of abiding love. Challenging, yet intensely satisfying.

The Swiss Boy belongs to the vast repertoire of solo feature music of the nineteenth century concert-in-the-park bands. Before the days of electronic amplification, soloists had to be selected from am...

Dieses letzte Werk des bereits schwer von der Krankheit gezeichneten Komponisten ist - der Entstehung zum Trotz - ein überaus fröhliches Werk, gesanglich und wunderbar geeigenet, auf die Flöte übertra...

A rich and ever-changing harmonic palette draws the listener in and highlights the allegorical original text, which could stand alone as a poetic work. An expressive solo voice opens the piece followe...

A rich and ever-changing harmonic palette draws the listener in and highlights the allegorical original text, which could stand alone as a poetic work. An expressive solo voice opens the piece followe...

For Viola and Piano. Score. First performance: Dan Shilladay (Viola), Peter White (Piano), Barber Institute, University of Birmingham, 21st May 2001.

For solo Cello. Published in 2007, and first performed by Matthew Barlow, at the National Centre for Early Music, 5th June 2005. Score.

Dieses letzte Werk des bereits schwer von der Krankheit gezeichneten Komponisten ist - der Entstehung zum Trotz - ein überaus fröhliches Werk, gesanglich und wunderbar geeigenet, auf die Flöte übertra...

A work for Horn and Piano. Published in 1999, and first performed by Andy Saunders (Horn) and John Williams (Piano), Music Department Recital Hall, University of York, 8th June 1999.

For Solo Oboe. Published in 2002, and first performed by the composer, 8th May 2002.

For Orchestra (double winds). Published in 1999. First performance (revised version): English Northern Philharmonia, conducted by Elgar Howarth, National Composer's Forum, Sir Jack Lyons concert hall...