Jean Sichler

Im Garten der wilden Biester', Band 1 enthält die ersten 8 der insgesamt 16 ebenso charmanten wie lehrreichen Stücke des Franzosen Pierre Vellones aus den Jahren 1926 bis 1936.

Im Garten der wilden Biester', Band 2 enthält die zweiten 8 der insgesamt 16 ebenso charmanten wie lehrreichen Stücke des Franzosen Pierre Vellones aus den Jahren 1926 bis 1936.

A student practice guide that accompanies the Masterwork Classics. Invaluable notes on technique, style and listening activities for every piece in the Masterwork Classics books, plus teacher's notes...

A student practice guide that accompanies the Masterwork Classics. Invaluable notes on technique, style and listening activities for every piece in the Masterwork Classics books, plus teacher's notes...

A student practice guide that accompanies the Masterwork Classics. Invaluable notes on technique, style and listening activities for every piece in the Masterwork Classics books, plus teacher's notes...

A progressive series of motivating technical volumes for students who may not always desire technical work. Useful for the transfer student as well as for students working in progressive order. Design...

A progressive series of motivating technical volumes for students who may not always desire technical work. Useful for the transfer student as well as for students working in progressive order. Design...

The Can-Can is a type of chorus line dance specific to French Operettas and ballets where female dancers wear costumes with long skirts, petticoats, and black stockings. It is a physically demanding d...

Aus dem Repertoire der 'Neuen Böhmischen Blasmusik' unter der Leitung von Roland Kohler.

The well-known hymnist and composer, Jane Marshall, wrote this hymn in 1982, and since then it has found its way into all major hymnals. This arrangement includes optional parts for flute, oboe, and h...

In reference to Loops I for flute, I wrote: 'the sound of the instrument and the playing techniques are less important than the process of transformation that is set into motion.' The piece's title bo...

I wrote earlier about Loops I for flute that 'the sound of the flute and its techniques are of less importance than the transformation procedure at work. The principle of the style of the piece is con...

The flute, as a solo instrument, came of age with music of the 20th century, and from Debussy and continuing with Varèse, Berio and Boulez, numerous composers have written for it. We observe that in m...