Hoffmann & Hoffmann

The Latin rhythms of this Gloria Estefan hit are hot, hot, hot. Spend a little time learning the rapid-fire lyrics, and then let the party begin! Optional solos are passed around during verses, but th...

Upbeat, rhythmic, and joy-filled all describe this classic Gloria Estefan hit. Perfect for choreography, this arrangement creates that boiling point when the audience and performers all overflow with...

Upbeat, rhythmic, and joy-filled all describe this classic Gloria Estefan hit. Perfect for choreography, this arrangement creates that boiling point when the audience and performers all overflow with...

The Latin rhythms of this Gloria Estefan hit are hot, hot, hot. Spend a little time learning the rapid-fire lyrics, and then let the party begin! Optional solos are passed around during verses, but th...

The Latin rhythms of this Gloria Estefan hit are hot, hot, hot. Spend a little time learning the rapid-fire lyrics, and then let the party begin! Optional solos are passed around during verses, but th...

The Latin rhythms of this Gloria Estefan hit are hot, hot, hot. Spend a little time learning the rapid-fire lyrics, and then let the party begin! Optional solos are passed around during verses, but th...

The Latin rhythms of this Gloria Estefan hit are hot, hot, hot. Spend a little time learning the rapid-fire lyrics, and then let the party begin! Optional solos are passed around during verses, but th...

The text of this work was written by a young junior high Irish boy who very soon after lost his life in a street shooting. And so the poem became the voice of all children, victims in a world of war a...

Os Justi (The Just Month) is a Motet for 8-part double SATB Choir (divisi) a cappella.

Bruckner's simple but profound motet is reminiscent of the Renaissance masters, but with a harmonic palette firmly placed in the Romantic era. The Latin text comes from the Mass celebrated at the dedi...

Motet for SATB Choir A Cappella. This was Bruckner's third and best-known setting of this text.

An impressive setting of the Gradual for Maundy Thursday, dating from 1884, the period of the Seventh Symphony and the Te Deum.

This small collection of partsongs by Bruckner shows occasional glimpses of the transcendental quality, grandeur, and poise that typify his church music. English translations are included alongside th...

Patrick Liebergen's edition of Bruckner's masterwork brings this 19th Century choral treasure to life for contemporary choirs. An excellent selection to develop phrasing, dynamics and legato choral te...

Patrick Liebergen's edition of Bruckner's masterwork brings this 19th Century choral treasure to life for contemporary choirs. An excellent selection to develop phrasing, dynamics and legato choral te...

Die Antiphon für die Fastenzeit entstand vermutlich in Bruckners Studienzeit um 1843–1844 in Kronstorf.

Die Antiphon für die Fastenzeit entstand vermutlich in Bruckners Studienzeit um 1843-1844 in Kronstorf.

Nach Beendigung seiner Studien bei Sechter schrieb Bruckner 1861 das Ave Maria und berichtet in einem Brief vom 3.10.1861: „Ich wurde zuletzt bei meinem Chor (7st. Ave Maria) großartig 2mal applaudier...

Nach Beendigung seiner Studien bei Sechter schrieb Bruckner 1861 das Ave Maria und berichtet in einem Brief vom 3.10.1861: „Ich wurde zuletzt bei meinem Chor (7st. Ave Maria) großartig 2mal applaudier...

Das Graduale an den Festen heiliger Kirchenlehrer entstand 1879. Der lydische Satz ist, wie Bruckner selbst sagt, „ohne #, ohne b, ohne Dreiklang auf der 7. Stufe, ohne Quartsextakkord, ohne Vier- und...