Jody Harmon

Victor Morosco - Blue Caprice. In a classical sense Blue Caprice is a 20th Century form of a Passacaglia or Chaconne on the chord structure and form of the Blues. If one doesn’t have an idea of what t...

The Lily Rag, composed by Charles Thompson and arranged by Alan Gout for alto saxophone with piano accompaniment in digital sheet music format.

A fresh arrangement of the widely-known tune popularized by the film O Brother, Where Art Thou?, this work pays homage to the uniquely American tradition of shape-note singing. Works well as a process...

Ihren Namen verdankt diese neue a cappella-Messe zwei Parametern: ihren gregorianisch inspirierten Melodien und Motiven einerseits und der archaisch wirkenden, nur selten erweiterten Harmonik anderers...

Four-part a cappella harmony TTBB arrangement.

This work for men's voices is a sensitive setting of Robert Louis Stevenson's poem. Available: TTBB a cappella.

Here is the quintessential barbershop song! This favorite SPEBSQSA arrangement will be a fantastic concert opener! Available for TTBB a cappella and VoiceTrax CD. Performance Time: Approx. 1:00.

Energize your men's chorus and have fun with some Barbershop harmony! Opening with a gradually building doo-wah introduction, invite your audience to clap along while the lead sings the melody: Hey li...

The swinging gospel beat in this medley of American patriotic treasures ('My Country 'Tis of Thee, ' 'America the Beautiful, ' 'Battle Hymn of the Republic') makes this arrangement a wonderfulselectio...

With its limited ranges and the vocal line supported by the accompaniment, this is the ideal TTB work for the Middle and High School male choir. With references to Walt Whitman's Song of the Open Road...

Set to an intriguing poem by Edgar Allen Poe, this is a nice piece for high school men's voices, with piano.

Here is the SATB version of this wonderful, spirited work - one of last year's big hits in its TTB version! The limited ranges, diatonic harmonies, and a vocal line supported by the accompaniment help...

An SAB version of this wonderful, spirited work. The limited ranges, diatonic harmonies, and a vocal line supported by the accompaniment helps make this work ideal for all levels of SAB choirs.

This one's off the charts! Beyonce's smash hit is all over the airwaves. Scored comfortably in a moderate shuffle with a hint of swing, your students will love the groove.