John Clayton

Adapted from the arrangement that John Clayton did for Dianne Reeves and the WDR radio big band in Cologne, Germany, here is a moderately slow and sultry swing version of the Duke Ellington favorite....

As the title aptly describes here is a solo vehicle for a plunger-wielding trombonist. With a bluesy style and a sultry tempo, here's a great opportunity for your soloist to pour his/her heart and sou...

John Clayton credits stylistic influences from Quincy Jones and Billy Byers on this swinging minor blues. Utilizing a wide dynamic range, subtleties in the rhythm section, and variations in texture fr...

Originally recorded by Peggy Lee in 1960, this upbeat swinger exudes a great message and positive energy. Perfect for a singer to add their own personality and connect with the audience. John Clayton'...

Bringen Sie die unverwechselbare Energie der legendären Phil Collins Big Band auf Ihre Bühne! Mit „That's All“ liefert Powerhouse Orchestrations ein herausragendes Instrumental-Arrangement des weltbek...

A superb flugel horn feature of this lyrical ballad, with full band backing, including 4 saxes doubling on clarinets plus 1 tenor sax. The original Genesis music can be heard on the album 'Genesis Liv...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...