Robert Strobel

Incorporating the hymn, God of the Ages, Whose Almighty Hand, this anthem for choir, piano and optional trumpet celebrates God's love for us and our calling to share the good news. Commissioned for th...

This anthem begins softly and sounds almost like a benediction. But the psalmist's emphasis was on praise, and the music opens to a rousing center section. Returning to the opening motif, the music en...

This anthem begins softly and sounds almost like a benediction. But the psalmist's emphasis was on praise, and the music opens to a rousing center section. Returning to the opening motif, the music en...

Uses: Praise Scripture: Psalm 150 Power, strength and majesty are the words that best describe this setting of Psalm 150. Written for organ and optional brass, the opening builds to the choir's entry....

Uses: Praise Scripture: Psalm 150 Power, strength and majesty are the words that best describe this setting of Psalm 150. Written for organ and optional brass, the opening builds to the choir's entry....

The text from Nehemiah 8:10 and Isaiah 43:1-3 expresses joy through helping those who are less fortunate. The opening melody carries this message with delicate ease, then moves into a brief choral sta...

This beautiful piece uses the classic text from Numbers and is excerpted from the closing section from a three-movement work for choir and chamber orchestra entitled Touch. Based on the paintings of C...

Exuberance and joy fill this work and its dramatic call to praise. A triumphant nuematic alleluia melody alternates between the voices giving the song a thorough and continuous theme of praise. Availa...

A stunning original setting by Allan Robert Petker. Lovely, flowing vocal lines caress this time-honored text with gentle accompaniment. The 2-part setting is designed for treble voices, but succeeds...

The Psalms have inspired a text of praise, and a few choice alternate words proclaim the victory of Easter. Originally set for 2-part, this anthem has been a festival favorite for years. The SATB sett...

Lux (Licht) ist der erste Satz aus einem größeren Werk, Dona Nobis Pacem. Die lateinischen Worte sind ein Gebet um Licht und Frieden, die uns leuchten sollen. Obwohl die Klavierbegleitung wirkungsvoll...

Lux (Licht) ist der erste Satz aus einem größeren Werk, Dona Nobis Pacem. Die lateinischen Worte sind ein Gebet um Licht und Frieden, die uns leuchten sollen. Obwohl die Klavierbegleitung wirkungsvoll...

Bei Einzelabnahme ist die Partitur mit Kopierschutz versehen. Dieser entfällt nur bei gleichzeitiger Abnahme der Chorpartitur in Chorstärke bzw. des Orchestermaterials.

The concerto grosso of Corelli's day was often a trio sonata with extra voices used to emphasize various aspects of the music. This piece has can be played as a trio but has also been arranged for 4 C...

To 'vamp' means to improvise on or repeat musical material for an indeterminate length of time. 'Revamper' describes one who does this over and over. Various extended techniques, such as singing while...

An original song with a variety of variations, and very expressive. Uses multiple meters. Originally from a piano set for two hands entitled 'Three for Three.' Instrumentation: Piccolo, 2 C Flutes, Al...

Dance of the Night'is a thrilling original work that makes sure no player is left out of the excitement. It's both joyful and mysterious. Instrumentation: Piccolo, 5 C Flutes

A playful romp based on DeLaney's original version for Flute and Piano.

A lively noel, originally composed for organ, appropriate for any time of year!

When I am Laid in Earth, Dido's Lament from 'Dido and Aeneas' by Henry Purcell, arranged for Low Flute Choir by Cathi Marro. The work is built on a ‘ground' (or ‘ground bass'), which is phrase in the...