Karl L. King

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

When Karl King was conducting circus bands he would frequently edit his marches so the same composition could be used for contrasting acts (for example a lion act one time, and a trapeze act the next)...

March Ponderoso, composed in 1910, is representative of a King march at a higher level of difficulty. The introduction is an immediate test of the technique of the low brass players. The first strain...

Composed in 1913, Mystic Call was dedicated to Charles Duble of Jeffersonville, Indiana, who was also a composer of marches and an excellent low brass musician, having playing trombone with a number o...

During the period of his earliest success as a composer, Karl King became acquainted with several members of the band in Carrollton, Ohio, located some thirty miles southeast of Canton (present popula...

During the period of his earliest success as a composer, Karl King became acquainted with several members of the band in Carrollton, Ohio, located some thirty miles southeast of Canton (present popula...

Piccolo Db book

Flute in C book