Laura Smyth

Schilflied I (1905), (Lenau)

Schilflied II (1905), op. 2/2 (Lenau)

Schilflied III (1905) (Lenau)

Zum Notenband: Von Purcell und Bach bis hin zu Titeln von MacDowell und Gershwin reicht dieser umfangreiche Band, der fast alle musikalischen Wünsche zu Traugottesdiensten mit leicht spielbarer Litera...

Die 'Zweiundfünfzig leicht ausführbaren Vorspiele zu den gebräuchlichsten evangelischen Chorälen' op. 67 komponierte Max Reger zwischen 1900 und 1902. Sie stellen seinen bedeutendsten Beitrag zur Gatt...

When the world goes wrong, and I got the blues, he's the man who makes me get out both my dancin' shoes. This great King Oliver classic just jumps with joy with or without the Dixieland accompaniment!...

If I can sing, I still am free.' Sara Teasdale's 1917 poem Refuge' is certain to resonate with anyone who possesses an appreciation for singing. This lush setting plays out across a shifting palette o...

Selected for the Jefferson Johnson Male Chorus series, Nick Johnson creates a stirring rendition of Sara Teasdale's poem. Stunning chords with delicate dissonances emerge in phrase after phrase. The w...

Selected for the Jefferson Johnson Male Chorus series, Nick Johnson creates a stirring rendition of Sara Teasdale's poem. Stunning chords with delicate dissonances emerge in phrase after phrase. The w...

If I can sing, I still am free.' Sara Teasdale's 1917 poem Refuge' is certain to resonate with anyone who possesses an appreciation for singing. This lush setting plays out across a shifting palette o...

If I can sing, I still am free.' Sara Teasdale's 1917 poem Refuge' is certain to resonate with anyone who possesses an appreciation for singing. This lush setting plays out across a shifting palette o...

Volksweise

An assuring text from master poet Sara Teasdale, its central theme is that one can take refuge in singing. Ever sensitive to the text, Walker crafts word painting throughout with shimmering accompanim...

Männerchor - TTBB Romantik