Lawrence Grant

5'; for oboe d'amore, Viola and Harp. First published 2003. Written for for Jinny Shaw and Okeanos. First performance: Jinny Shaw and Okeanos, March 2003. Score and parts.

7'; for tenor recorder and string quartet First published in 2004. Written for Tony Gilbert's 70th birthday celebration First performance: John Turner, The Barbirolli Room, Bridgewater Hall, Mancheste...

For oboe d'amour and harp. Published 2003 Written for Okeanos First performance: Okeanos, Cambridge Music Festival, August 2003. Score.

First published in 2005. First performance: Riley Lee (shakuhachi), Marshall McGuire (harp), Danks Street Depot, Sydney, 14th November 2005. Score and part. 8'.

15'; for five instruments and wind chimes Published 2005 for alto flute/piccolo (doubling gong and wind-chimes), bass clarinet in Bb (doubling wind chimes), piano, violin (doubling wind chimes), 'cell...

Published 2007. For flute, shakuhachi, bassoon and harp. Score.

9'; for clarinet in Bb and string quartet. Published 2007 Commissioned by Father Arthur E. Bridge for Ars Musica Australis for 2007 SSO Fellows Ensemble Score.

For Piano Trio. Score.

Anne Boyd's Seraphim Canticles for Violin, Cello and Piano.

Published 2006. Commissioned by Ars Musica Australis for the Sydney Omega Ensemble First performance: 10 September 2006, Paddington Uniting Church, Sydney Score.

Wissenschaftliche Gesamtausgabe mit Kritischem Bericht, Serie I, Band 4, Leinen

Anne Boyd 's String Quartet No. 3 was commissioned for Musica Viva Australia by Geoff Stearn. It was premiered by Orava String Quartet, Huntington Estate Music Festival, 29th November 2015. This work...

Anne Boyd 's String Quartet No. 3 was commissioned for Musica Viva Australia by Geoff Stearn. It was premiered by Orava String Quartet, Huntington Estate Music Festival, 29th November 2015. This work...

Capriccio for solo violin and string ensemble, was commisioned by the Scottish Ensemble with support fro the RVW Trust. It was first performed by Jonathan Morton and the Scottish Ensemble on the 10th...

You can hear the genius of Mahler's string writing in this accessible arrangement of the second movement of his 'Resurrection' symphony. Staying true to the original orchestration, your students will...

You can hear the genius of Mahler's string writing in this accessible arrangement of the second movement of his 'Resurrection' symphony. Staying true to the original orchestration, your students will...

You can hear the genius of Mahler's string writing in this accessible arrangement of the second movement of his 'Resurrection' symphony. Staying true to the original orchestration, your students will...

You can hear the genius of Mahler's string writing in this accessible arrangement of the second movement of his 'Resurrection' symphony. Staying true to the original orchestration, your students will...

Now, not just for piano players! String players can also have the experience of playing this elegant and gorgeous piece. Written in 34 instead of the original 68 and with easy written-out ornaments, t...