Leroy Anderson

Leroy Anderson's "Jazz Pizzicato" and "Jazz Legato" stand as quintessential proof of his legendary status as a composer of light music. With a nostalgic nod toward the traditional American dance form...

Leroy Anderson composed "Arietta" in 1962 in Woodbury, Connecticut. The main melody first materialized as a brief eight-measure sketch for viola and cello, intended for Leroy Anderson's daughter Jane...

Wie viele seiner Werke schrieb Leroy Anderson (1908-1975) Fiddle-Faddle im Jahr 1947 im Auftrag von Arthur Fiedler vom Boston Pops Orchestra. Ursprünglich für Streichorchester geschrieben, stand der T...

Leroy Andersons (1908-1975) Jazz Pizzicato aus dem Jahr 1938 war das erste seiner Werke, das von den Boston Pops aufgeführt wurde, nachdem der Leiter des Orchesters, Arthur Fiedler, auf ihn aufmerksam...

Leroy Andersons (1908-1975) Jazz Pizzicato aus dem Jahr 1938 war das erste seiner Werke, das von den Boston Pops aufgeführt wurde, nachdem der Leiter des Orchesters, Arthur Fiedler, auf ihn aufmerksam...

Like most of Leroy Anderson's efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalizat...

Like most of Leroy Anderson's efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalizat...

This reimagined band edition by Mark Rogers breathes new life into an absolute gem by Leroy Anderson. This publication features the first full score offered with the parts - as well as an alternate tr...

FORGOTTEN DREAMS wurde am 28. Mai 1954 fertiggestellt. Die erste Aufführung fand einige Tage später, am 2. Juni, während einer Aufnahmesession für Delta Records in New York statt, bei der Leroy Anders...

Leroy Anderson, der im Konzertsaal für seine leichten Orchesterstücke sehr beliebt war, fand im Boston Pops Orchestra unter seinem Leiter Arthur Fiedler einen großen musikalischen Verbündeten. Sie bra...

Leroy Anderson, der im Konzertsaal für seine leichten Orchesterstücke sehr beliebt war, fand im Boston Pops Orchestra unter seinem Leiter Arthur Fiedler einen großen musikalischen Verbündeten. Sie bra...

One of three Leroy Anderson works depicting horses (the other two being "Sleigh Ride" and "Home Stretch"), this American Pops classic scored for band by the composer is part of the Anderson Classics S...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His composit...

Leroy Anderson war der Sohn schwedischer Einwanderer, er studierte Musik und Fremdsprachen an der berühmten Harvard Universität, bevor er eine brilliante musikalische Laufbahn einschlug. Er spielte Or...

Rückseitentitel: Saint Apollinaire

This wonderful march comes with a remarkable history. Originally titled Governor Bradford March, it was written for orchestra in 1948. 50 years later (1998) Tom Everett, director of the Harvard Univer...

Ticonderoga ist das einzige Werk, das Leroy Anderson ausschließlich für Orchester komponiert hat, was angesichts seiner Anfänge als Kapellmeister in Harvard sicherlich merkwürdig ist. Die erste Skizze...

From the dean of American light music, this through-played medley is scored to be accessible for young and developing bands. It includes 'Plink! Plank! Plunk!,' 'The Syncopated Clock,' 'Forgotten Drea...

From the dean of American light music, this through-played medley is scored to be accessible for young and developing bands. It includes 'Plink! Plank! Plunk!,' 'The Syncopated Clock,' 'Forgotten Drea...

From the dean of American light music, this through-played medley is scored to be accessible for young and developing bands. It includes 'Plink! Plank! Plunk!,' 'The Syncopated Clock,' 'Forgotten Drea...