Emanuel Adler

Policeman's Dance (from 'Sweeney Todd'), composed by Malcolm Arnold and arranged by Paul Harris and Emma Johnson for clarinet with piano accompaniment.

Edited and arranged by Brian Bonsor, the solo part takes into consideration the different makes of the tenor recorder and the varying amounts of breath demanded by each. Great care has also been taken...

Fantasy For Oboe Op.90, composed by Malcolm Arnold, for solo oboe in digital sheet music format.

Reprint-Ausgabe dieses Oboenwerks des produktiven und vielseitigen britischen Komponisten des 20.

Fantasy For Trombone Op.101, composed by Malcolm Arnold, for solo trombone in digital sheet music format.

Fantasy For Trumpet Op.100, composed by Malcolm Arnold, for solo trumpet in digital sheet music format.

Fantasy For Tuba Op.102, composed by Malcolm Arnold, for solo tuba in digital sheet music format.

These dances were composed early in 1957 and are dedicated to the BBC Light Music Festival. They are all based on original melodies, except one, the melody of which was composed by Robert Burns. Arran...

Sonata No. 2 composed 1953. Duration 9 minutes. Scored for Violin and Piano.

A cantata for chorus and orchestra written specifically with young performers in mind. English poet Patrick Dickinson sets the story of Odysseus returning for Penelope, with Arnold's music serving the...

The concerto has a dashing first movement marked by jazz memories and a lento whose wistful melancholy also suggests the sentimental lyrical style of the 1930s. The leap from this to the crude whoopin...

On the surface a listener-friendly extension of Field's early-Romantic idiom, this is music encompassing switchbacks of mood and material so bizarre as to be almost unnerving. (Imagine Chopin as it mi...

Contemporary-music-without-tears has always been his aim, and this succinct little three-movement work showed him as skilful as ever in unpretentious directness of utterance, as it were in the vernacu...

... a 17-minute, three-movement work in which orchestra suits and colours are dealt with concision, wit, fluency and light-fingered skill... Gillian Widdicombe, Financial Times, November 1976 Instrume...

... has a genuine music-hall flavour, with lots of gusto, a winning waltz theme, an Offenbachian can-can and even twittering bird effects in the tuneful pot-pourri towards the end of the suite. Ivan M...