Mack Gordon

The ever-popular bluesy vocal ballad was made famous by Etta James and more recently Beyonce. The chart is arranged in two keys to suit the needs of all vocalists. In the instrumental section, there i...

You can hear the train comin' down the tracks! Mike Carubia presents this big band classic in a fresh new arrangement for jazz ensemble with jazz vocal quartet, in either SATB or optional SSAA version...

The ever-popular bluesy vocal ballad was made famous by Etta James and more recently Beyonce. The chart is arranged in two keys to suit the needs of all vocalists. In the instrumental section, there i...

Pardon me boy, is that the Chattanooga Choo Choo? Yes, it is, in a singable arrangement from Mac Huff. This musical favorite was the centerpiece of Broadway and film hits throughout the '40s. Still as...

Originally released in 1945, this standard continues to touch hearts. Langford's advanced vocal jazz setting, dividing into multiple voice parts, really brings the melody and lyrics to life. Worth the...

Hier ist ein großartiger Chart von Michael Buble. Nach einem großen und fetzigen Anfang baut sich das Stück in Schichten auf, von Solo-Gesang und Bass, dann ein nudelndes Tenorsaxophon, dann die gesam...

Hier ist eine großartig klingende und gut spielbare Bearbeitung des bekannten Jazzstandards, die den Schlagzeuger in den Vordergrund stellt.

'You Make Me Feel So Young' is a 1946 popular song composed by Josef Myrow (born in Tsarist, Russia), with lyrics written by Mack Gordon (born in Warsaw). It was introduced in the 1946 musical film Th...

I Feel Like A Feather In The Breeze composed by Mack Gordon and Harry Revel, transcribed by Billy Mayerl, in the key of Eb Major arranged for piano solo.

Pardon me boy, is that the Chattanooga Choo Choo? Yes, it is, in a singable arrangement from Mac Huff. This musical favorite was the centerpiece of Broadway and film hits throughout the '40s. Still as...

Eine Swing-Komposition von Joseph Myrow, arrangiert von Dave Wolpe für Big Band mit Gesang (hoch und tief).

Hier ist eine großartig klingende und gut spielbare Bearbeitung des bekannten Jazzstandards, die den Schlagzeuger in den Vordergrund stellt.