Malcolm Arnold

Fantasy for Cello, Op.130 by Malcolm Arnold. The first performance was given by Julian Lloyd Webber at the Wigmore Hall on 13th December 1987.

Composed in 1966, Arnold's Fantasy for Flute was commissioned by the City Of Birmingham Symphony Orchestra for the Birmingham International Wind Competition of 1966. It is a challenging piece, but one...

... a brief opening allegro, a slow movement that evolved from lyrical simplicity to portentous emotional gestures, and a finale that was an euberant and affectionate salute to Pre-Goodman Rag. Christ...

Malcolm Arnold is one of the most versatile and prolific British composers of the post war era. This is his extremely popular Fantasy for Trombone, Opus 101 from 1969.

Ein faszinierendes, geistreiches und sicherlich ungewöhnliches Werk von Malcolm Arnold. Garantiert ein Genuss für alle Sänger und Zuhörer.

Written for the inaugural Farnham Festival in 1961, this terrific fanfare from Malcolm Arnold is scored for 5 French horns, 6 trumpets, 5 trombones, tuba, cymbals and timpani.

This is a magnificent work! Based on a famous poem by Scottish poet Robert Burns, the overture is a tone poem which eloquently expresses the intense moods of the frightening tale told by the poet. Joh...

The first performance of Malcolm Arnold's DuofFor Flute and Viola was given by John Francis and Bernard Davies at Salle Erard, London, in December 1946.

Parts available: PAT60080SP

A fascinating work from the end of Malcolm Arnold's composing life, written at the same time as his 9th Symphony. Opus 129.

This collection, published for the first time, dates from 1937 when Arnold was still only 15, to 1945 by which time he had composed his overture Beckus the Dandipratt, much chamber music and his 1st H...

This new volume brings together four more previously unpublished pieces. They share an interesting connection - each never fulfilled its original intention... For more details of Sir Malcolm's fascina...

Fantasy for Guitar by Malcolm Arnold, edited by Julian Bream, who gave the first performance at Queen Elizabeth Hall in May 1971.

Oboe 1, Oboe 2, Clarinet in B-flat 1, Clarinet in B-flat 2, Bassoon 1, Bassoon 2, Horn in F 1, Horn in F 2.

Set of parts. Oboe 1, Oboe 2, Clarinet in B-flat 1, Clarinet in B-flat 2, Bassoon 1, Bassoon 2, Horn in F 1, Horn in F 2.

Work for Wind Band.

This is indeed a substantial piece of music and there is never any doubt it was written by a symphonist. The orchestration is both clever and brilliant. . .a contemporary masterpiece.Schenectady Gazet...

The chilling slow movement seems to me to be one of the great symphonic essays written by an Englishman.Michael Kennedy, Daily Telegraph, 1 June 1991, Instrumentation: picc.2.2.2.2.cbsn – 4331 – timp...