Marcella Bella

Elgar's setting of a text by HW Longfellow for mixed voices. Composed in 1891.

Composed in 1903 for the Morecambe Festival, this is an impassioned, yearning setting of a Shelley text, as the poet begs the wind to inspire his efforts in order to bring his message to the world

SSAATTBB.

Elgar's pastorale Serenade Op. 73 No. 2 is written for mixed chorus, with a Piano accompaniment supplied for rehearsal purposes only.

Cantata for Soprano, Tenor, Baritone, Bass soloists, SATB chorus and orchestra. Caractacus was the last and most ambitious of Elgar's dramatic cantatas, written to fulfill a commission negotiated by H...

Edward Elgar's For The Fallen for SATB Chorus.

In the masterful hands of Jay Bocook, this hauntingly beautiful melody of Elgar's makes a wonderful setting for the field. Nicely adapted to feature woodwind colors, a brief trumpet solo, and a powerf...

Written when he was 22 years old, this sweet and wistful piece has remained among Elgar's most popular works.

This variation was dedicated to Elgar's cellist friend Basil George Nevelson (B.G.N.), and is now available in this lush arrangement for cello quintet.

In dieser Adaption für Blasorchester ist es Clare Grundman gelungen, die grundlegenden Elemente des originalen Marsches zusammenzufassen. Die energischen melodischen Einfälle, die im Mittelpunkt stehe...

SATB, Klavier/Orgel/Blasorchester

Sir Edward Elgar was born in Worcester in 1857. Until the outstanding success of the 'Enigma' Variations in 1899, he was considered a 'provincial' composer - and a largely self taught one at that. In...