Mario Castelnuovo-Tedesco

In 1928, two years after publishing the Dances of King David, he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich, who wanted to include it i...

In this Second Piano Quintet Op. 155 (Beverly Hills, 1951), Mario Castelnuovo-Tedesco, an exile in the United States since the racial laws, abandons himself to the wave of 'Memories of the Tuscan Coun...

In the Two Sonatas for Trumpet and Piano, Mario Castelnuovo-Tedesco combines his composing mastery with didactic purposes. The two works are just as suitable to the concert hall as to music schools an...

The Concerto n. 3 for Violin and Piano, written in 1939 for Jascha Heifetz, was the first work by Castelnuovo-Tedesco after he went on exile to the United States. Unusually, this concerto requires a p...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...

Like many composers who found themselves in exile during the war years, Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style, reviving more traditional or antiquated ideas of melo...