Markus Lonardoni

This pretty and effortless carol has a winning melody and good variety of texture. Words paraphrased from the Venerable Bede. Duration: 3 minutes

Anthem with words from Psalm 121. Orchestral material is available on hire only.

Words from Psalm 100 Duration: 3.5 minutes Difficulty: Moderately difficult

gemCh (SATB), Tasteninstr -

For SATB, flute, and guitar (or piano with optional flute). This is a beautiful setting of Psalm 128. Tranquil vocal lines, accompanied by lilting, atmospheric flute and guitar, capture perfectly the...

Christ the Lord Is Risen Today is an arrangement of the Easter hymn tune 'Lyra Davidica'. Not to be confused with Rutter's own composition, Christ the Lord is risen again, published as part of the Joh...

for soprano and baritone soloists, SATB chorus, and the composer's original chamber instrumentation Orchestral and vocal material is available on hire. Organ plays from the vocal score.

A piano transcription, made by the composer himself, of Rutter's much-loved setting of this ancient Irish hymn. Suitable for pianists at early intermediate level, and clearly presented and laid out, t...

John Rutter's setting of the Te Deum is jubilant, straightforward, and appealing. It is well-suited to performance in choral concerts as well as sacred settings. Material for this orchestral version,...

A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer...

Full score and set of parts for John Rutter's I too shall walk to Bethlehem. Setting a text by Marc Bratcher, this carol depicts a journey to the Bethlehem stable 'where once a child was born', recoun...

Vollständige Partitur und Stimmensatz für John Rutters Eternal God. Diese originelle Hymne ist berührend und lyrisch, mit unisono gesungenen ersten und zweiten Strophen, die in der dritten Strophe in...

Full score and set of parts for John Rutter's Eternal God. This original hymn is touching and lyrical, with unison first and second verses blossoming into four-part writing in the third verse. It may...

Johannes Simon Mayr kann mit Recht zu den musikalisch außerordentlich breit aufgestellten und international überaus erfolgreich agierenden Komponisten der Klassik und Frühromantik gezählt werden: Deut...

John Philip Sousa selbst war ein Fan der Musik dieses bedeutenden afro-amerikanischen Komponisten. Cave of the Winds ist ein origineller und höchst origineller Marsch, der von der Percy-Grainger-Exper...

Listen to the Lambs is, in its original form, an a cappella choral work. Called "a religious characteristic in the form of an anthem" by its composer, the composition is one of breath-taking beauty an...

Nathaniel Dett was one of John Philip Sousa's favorite composers, even in a time when racial relations in the United States were less than optimal. Dett's music is filled with melodic charm and harmon...

Listen to the Lambs is, in its original form, an a cappella choral work. Called "a religious characteristic in the form of an anthem" by its composer, the composition is one of breath-taking beauty an...

"In the Bottoms" is a Suite of five numbers giving pictures of moods or scenes peculiar to African-American life in the river bottoms of the South.  It is similar in its expression, and...

Robert Nathaniel Dett (1882-1943) wrote Enchantment: A Romantic Suite for the piano on an Original Program in 1922. A programmatic piece in four movements, Dett offers text at the beginning for each m...