Martin Crum

Ein geschmackvoller Chart mit mittlerem Swing-Feeling bei 120 BPM. Optionale Flügelhörner tragen zu den reichhaltigen Texturen bei, ein geschriebenes Solo ist für das Tenorsaxophon vorgesehen, und der...

Arranged in a medium tempo Basie-style swing, this arrangement is a study in effective writing for the entire ensemble. From the small group passages contrasted with full band scoring, to the sax soli...

This clever tune by George Gershwin has long been a favorite with jazz musicians. Mark's upbeat swing setting is a true showcase for the entire ensemble, with inventive tutti ensemble passages intersp...

Everybody gets the melody in this unusual but hip swing chart. Check out how jazz trombonist Wycliffe Gordon has taken this jazz standard and worked his arranging magic. A piano or guitar solo section...

Everybody gets the melody in this unusual but hip swing chart. Check out how jazz trombonist Wycliffe Gordon has taken this jazz standard and worked his arranging magic. A piano or guitar solo section...

This chart is about swinging! It has a Basie swing feel at around 138 BPM, with a more contemporary harmonic flavor. Features sax section solis, written solos for alto 1 and trumpet 2 and a big shout...

A swingin' version of this great standard in the Basie style. This chart features plenty of excellent sax solis, written-out solos for trumpet 2 and alto 1, a superb shout chorus, and the lead trumpet...

An excellent medium-swing vocal chart arranged in two keys, high and low to accommodate all vocalists. The low key is A-flat with vocal range from A-flat below middle C to 3rd line B-flat, and the hig...

A swing chart styled after the Michael Bublé version, arranger Scott Ragsdale nailed it. At 148 BPM, in the key of B-flat modulating to C, the vocal range is from F below middle C to 3rd space C, treb...

A swing chart styled after the Michael Bublé version, arranger Scott Ragsdale nailed it. At 148 BPM, in the key of B-flat modulating to C, the vocal range is from F below middle C to 3rd space C, treb...

Vocal with jazz ensemble at a swingin' 160 BPM. Gershwin's great show tune arranged in two keys. The low female key is B-flat with the vocal range from F below middle C to third line B-flat. The high...

Vocal with jazz ensemble at a swingin' 160 BPM. Gershwin's great show tune arranged in two keys. The low female key is B-flat with the vocal range from F below middle C to third line B-flat. The high...

Vocal with jazz ensemble at a swingin' 160 BPM. Gershwin's great show tune arranged in two keys. The low female key is B-flat with the vocal range from F below middle C to third line B-flat. The high...

Ein geschmackvoller Chart mit mittlerem Swing-Feeling bei 120 BPM. Optionale Flügelhörner tragen zu den reichhaltigen Texturen bei, ein geschriebenes Solo ist für das Tenorsaxophon vorgesehen, und der...

Nach einer choralartigen Einleitung mit Trompetenmelodie mündet "Love Is Here to Stay" in einen fröhlichen Swing um 184 BPM mit vorgeschlagenen Soli für Tenor und Alt. Der Tonumfang der Lead-Trompete...

Nach einer choralartigen Einleitung mit Trompetenmelodie mündet "Love Is Here to Stay" in einen fröhlichen Swing um 184 BPM mit vorgeschlagenen Soli für Tenor und Alt. Der Tonumfang der Lead-Trompete...

Nach einer choralartigen Einleitung mit Trompetenmelodie mündet "Love Is Here to Stay" in einen fröhlichen Swing um 184 BPM mit vorgeschlagenen Soli für Tenor und Alt. Der Tonumfang der Lead-Trompete...

A legendary flag waver that features a rare drum solo by Chick Webb, this was one of the standards that ushered in the 'Jazz Age.' Prominently featuring the drums throughout, a brass fanfare opens thi...

This clever tune by George Gershwin has long been a favorite with jazz musicians. Mark's upbeat swing setting is a true showcase for the entire ensemble, with inventive tutti ensemble passages intersp...

Start your band off swinging with this Gershwin standard arranged by Ralph Ford. The trombones start things off, add the brass section, then add a sax soli. Hold on, there's more; into a tutti for the...

Eines der 'Glanzstücke' des 'Wiener Blfl.-Ensembles', bei dem sich der originale Klangcharakter der Flötenuhr gut realisieren lässt. Ein etwas schwierigeres Stück, da Kenntnis und Hören der anderen St...