Matthew Harris

für 4-stimmigen Männerchor a cappella

Shakespeare Songs Book 2 is part of a 5-book series. This book contains: Take, O, Take Those Lips Away; Tell Me Where Is Fancy Bred; Under the Greenwood Tree; Come Away, Come Away, Death.

This is a sure winner for your next concert! Designed to feature the piano in a familiar gospel-flavored role, this original for developing groups has been skillfully orchestrated so as to support, bu...

Shakespeare Songs Book 3 is part of a 5-book series of musical settings of Shakespeare. This book contains: It Was a Lover and His Lass; You Spotted Snakes; Sigh No More, Ladies; O Mistress Mine. This...

Shakespeare Songs Book 1 is part of a 5-book series. This book contains: Hark, Hark, The Lark; Full Fathom Five; Who Is Silvia?.

Shakespeare Songs Book 4 is part of a 5-book series of musical settings of Shakespeare. This book contains: Blow, Blow Thou Winter Wind; And Will A' Not Come Again?; When Daffodils Begin to Peer.

This collection is part of a 5-book set of musical settings of lyrics to songs in Shakespeare's plays. This grouping opens with a melancholy prelude I Shall No More to Sea, followed by the woozy Come...

Inspired by the scenic grandeur of California's Monterey Peninsula as seen from the road that hugs the Pacific coastline there, this catchy rock shuffle for advancing groups grooves from start to fini...

This book lays the groundwork for strong voicings and voice leading by focusing primarily on II-V-I progressions - the most common chord progression in jazz. There is also a section containing melodie...

This funky rock tune includes conservative ranges, fully written-out rhythm section parts, and repetitive rhythms which makes it playable by advancing groups through professionals. The piano has a sol...

This modern straight-eighth feel chart for advancing groups will showcase the ability of your band to sustain a strong sense of time throughout. The lengthy solo section vamps on two chords for an imp...

Ein Latin-Salsa-Groove mit funky Flavour, gespielt mit 120 BPM. Mit einer sehr einnehmenden Melodielinie, geschriebenen Soli für Alt und Trompete 2 und einem aufbauenden Zwischenspiel, gefolgt von ein...

Commissioned by the New Trier (IL) High School Jazz Ensemble directed by James Warrick, this colorful chart starts off with a slow, dreamy intro, transitions to an upbeat straight-8ths statement of th...

Penned by Brazilian songwriter Antonio Carlos Jobim in 1959, this famous bossa nova became a runaway American hit when sax artist Stan Getz and guitarist Charlie Byrd recorded it for their 1962 album...

Radiohead performed '15 Step' in 5/4 on the 2007 CD In Rainbows, and arranger Matt Harris has transformed the original meter into a series of infectious grooves in 11, 3, 5, and 7. The piano, tenor, a...

Body and Soul ist ein großartiger Jazz-Standard. Ein ideales Tenorsaxophon-Balladen-Feature, das Tempo beträgt 98 BPM, und das Tenorsaxophon-Solo ist mit Melodie und einem Improvisationssolo geschrieb...

Body and Soul ist ein großartiger Jazz-Standard. Ein ideales Tenorsaxophon-Balladen-Feature, das Tempo beträgt 98 BPM, und das Tenorsaxophon-Solo ist mit Melodie und einem Improvisationssolo geschrieb...

Body and Soul ist ein großartiger Jazz-Standard. Ein ideales Tenorsaxophon-Balladen-Feature, das Tempo beträgt 98 BPM, und das Tenorsaxophon-Solo ist mit Melodie und einem Improvisationssolo geschrieb...

Using the text of Octavio Paz, this new piece by Matthew Harris is in three movements: Xochipilli, Ni??o y Trompo and Objetos. Each is from Paz's larger poem Lecci??n de cosas, a musing on little deco...

How Like a Winter Hath My Absence Been, for SSSAAA a cappella, was Composed by Matthew Harris and is Shakespeare text set to music. For Choral (SSA Div A Cappella).