Matthew Harris

Inspired by the scenic grandeur of California's Monterey Peninsula as seen from the road that hugs the Pacific coastline there, this catchy rock shuffle for advancing groups grooves from start to fini...

Radiohead performed '15 Step' in 5/4 on the 2007 CD In Rainbows, and arranger Matt Harris has transformed the original meter into a series of infectious grooves in 11, 3, 5, and 7. The piano, tenor, a...

Body and Soul ist ein großartiger Jazz-Standard. Ein ideales Tenorsaxophon-Balladen-Feature, das Tempo beträgt 98 BPM, und das Tenorsaxophon-Solo ist mit Melodie und einem Improvisationssolo geschrieb...

Body and Soul ist ein großartiger Jazz-Standard. Ein ideales Tenorsaxophon-Balladen-Feature, das Tempo beträgt 98 BPM, und das Tenorsaxophon-Solo ist mit Melodie und einem Improvisationssolo geschrieb...

Using the text of Octavio Paz, this new piece by Matthew Harris is in three movements: Xochipilli, Ni??o y Trompo and Objetos. Each is from Paz's larger poem Lecci??n de cosas, a musing on little deco...

How Like a Winter Hath My Absence Been, for SSSAAA a cappella, was Composed by Matthew Harris and is Shakespeare text set to music. For Choral (SSA Div A Cappella).

Two Lorca Songs was commissioned in 1994 by the Central Bucks West Choir. Las Seis Cuerdas was inspired by the poem's haunting melancholy. Crotalo, written for choral competition, is meant to display...

Two Lorca Songs was commissioned in 1994 by the Central Bucks West Choir. Las Seis Cuerdas was inspired by the poem's haunting melancholy. Crotalo, written for choral competition, is meant to display...

The composer of the popular Shakespeare Songs brings us this simple and eloquent new setting of the well-known prayer.

Three poems by William Blake provide the texts for this choral suite by Matthew Harris. Written for a high school choir, these evocative settings provide excellent concert material for a well-establis...

This collection is sixth in a series of musical settings of lyrics to songs in Shakespeare's plays. This grouping opens with When Daisies Pied, in a colorful madrigalian style, followed by the more om...

This modern straight-eighth feel chart for advancing groups will showcase the ability of your band to sustain a strong sense of time throughout. The lengthy solo section vamps on two chords for an imp...

This modern chart for advancing groups will showcase the ability of your band to sustain a strong sense of time throughout. The lengthy solo section vamps on two chords for an improvised conversation...

Written in ABA form featuring funk shuffle and double-time swing styles, tenor sax gets the primary solo assignment here, though the solo section may be opened up for additional players if desired. Wi...

Written in ABA form featuring funk shuffle and double-time swing styles, tenor sax gets the primary solo assignment here, though the solo section may be opened up for additional players if desired. Wi...

Most of the solo work in this fun-loving original for developing bands is carried by lead alto -- for players lacking improvisation confidence or experience, written solo lines are provided with chord...

This is a sure winner for your next concert! Designed to feature the piano in a familiar gospel-flavored role, this original for developing groups has been skillfully orchestrated so as to support, bu...

Featuring piano in a familiar gospel-flavored role, this original for developing groups has been skillfully orchestrated so as to support, but never eclipse, the sound of the soloist. The majority of...

Ein Latin-Salsa-Groove mit funky Flavour, gespielt mit 120 BPM. Mit einer sehr einnehmenden Melodielinie, geschriebenen Soli für Alt und Trompete 2 und einem aufbauenden Zwischenspiel, gefolgt von ein...

Ein Latin-Salsa-Groove mit funky Flavour, gespielt mit 120 BPM. Mit einer sehr einnehmenden Melodielinie, geschriebenen Soli für Alt und Trompete 2 und einem aufbauenden Zwischenspiel, gefolgt von ein...

Penned by Brazilian songwriter Antonio Carlos Jobim in 1959, this famous bossa nova became a runaway American hit when sax artist Stan Getz and guitarist Charlie Byrd recorded it for their 1962 album...

Serving as an excellent introduction to the samba style, the open solo section in this well-crafted original features a two-chord vamp that allows plenty of stretching room for any number of soloists....

Serving as an excellent introduction to the samba style, the open solo section in this well-crafted original features a two-chord vamp that allows plenty of stretching room for any number of soloists....