Matthew Martin

For Mixed Voice Choir (SSAATTBB) A Cappella.

Auschwitz by Bent Lorentzen for unaccompanied SATB choir, with text by Birgit Filskov.

Klassisches Blockflötenrepertoire auf Noten mit Playback-CD. Solostimme und Bassstimme notiert in zwei Systemen, praxisgerechtes Notenbild, augenfreundliches Papier, kein Umblättern.

This great new shuffle checks all the boxes: driving groove, intense ensemble writing, and vivid dynamic contrasts. Craig skillfully uses tension and release to create several high points throughout t...

This great new shuffle checks all the boxes: driving groove, intense ensemble writing, and vivid dynamic contrasts. Craig skillfully uses tension and release to create several high points throughout t...

This great new shuffle checks all the boxes: driving groove, intense ensemble writing, and vivid dynamic contrasts. Craig skillfully uses tension and release to create several high points throughout t...

A monster guide to scale practice for young musicians (grades 1-2) by one of the UK's most highly regarded string teachers and educational writers, Mary Cohen. Each scale and arpeggio is accompanied b...

This collection of 19 original, imaginative studies for solo viola has been specially designed for young players. Each piece concentrates one or two aspects of technique, and the whole set covers a wi...

Words by Irene McLeod, music by Desmond MacMahon. Unison song with piano accompaniment.

Written for two part choir (soprano I and soprano II) with piano accompaniment.

This cantata, one of Coleridge-Taylor's final works written in 1911, sets the oriental poems of his good friend Alfred Noyes. The work was premiered in 1911 conducted by Arthur Fagge.

One Done Trikanilje by Bent Lorentzen. For three voice choir.

Evolution! by Niels Marhtinsen (2017) - for Soprano solo, Choir (SATB) and Orchestra. Evolution! is commissioned by Aarhus Symphony Orchestra, as part of the project ORIGINS2017 for Rethink2017 (Aarhu...