Matthew Martin

Piano Solo

Piano Solo

Piano Solo

Chapel Of The Roses, as performed by Lee Lawrence, arranged for voice and piano with guitar chords.

Morning Has Broken, arranged by Mary Cohen for cello solo in digital sheet music format.

This work for organ in three movements was commissioned by the St Albans International Organ Festival and premiered by all competitors.

Matthew Martin's setting of 'Adam Lay Ybounden' was first performed by the Choir of Westminster Cathedral at St. George's, Hanover Sqaure, London on December 19th 2006. Matthew Martin was educated at...

Matthew Martin's setting of 'Ecce Concipies' was written for Andrew-John Smith and the Choir of St. Peter's Church, Eaton Square, London. Matthew Martin was educated at Magdalen College, Oxford and at...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers an...

The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and incl...

It is conceived in grand and declamatory style, owing a respectful debt to the great motets of Bruckner. Formed in A-B-A structure, it uses block harmony in the outer sections for impact, whilst the c...

Perfect at weddings and church services, this anthem by composer Matthew Martin is a new setting of Set me as a seal upon thy heart , which describes the power of love and the strength of bonds made i...

Commissioned by the Tallis Scholars, The Lamentations of Jeremiah is a prime example of Martin's exemplary choral writing. Combining complex harmonies and intricate, antiphonal rhythms Martin has crea...

This reflective anthem is especially suitable for the Feast of All Saints but may be used throughout the liturgical year. The setting is still, gentle and atmospheric, combining a simple melody with m...

The Mass Of St Dominic was written in 2013 at the request of the Spode Music week for the 60th anniversary of their summer course. It is a setting in English of the new translation of the Mass and is...

When David Heard was written as a memorial to the victims of the 2011 terrorist attacks in Oslo and Utoya. It sets the well-known and intense passage from 2 Samuel and intersperses it with a verse fro...

This powerful work takes a well-known hymn tune from the Mainz Gesangbuch of 1661 (Stabat Mater) as its musical starting point, interweaving it through different textures and variations alongside the...

This piece is a reticent carol and weaves a complex web of counterpoint within both the vocal lines and organ part, distilling into a stark treble solo as the text turns to English. An ideal work to h...

This setting of 'O lux beata Trinitas' (ascribed to St Ambrose) weaves together a range of vocal styles and textures to build gradually from the quietly pensive opening section to a rousing unison dec...