Mike Tomaro

One of the most famous jazz waltz's ever written, this small band setting of Miles Davis' classic skillfully uses the six-horn format to create an incredibly full sound. A flexible solo section is als...

Skillfully adapted directly from the famous version recorded by Miles Davis on the landmark album 'Birth of the Cool', this arrangement for standard jazz ensemble instrumentation features an advanced...

Recorded by Miles Davis on his landmark album Birth of the Cool, this jazz standard was composed by Denzil Best using the same chord changes as Count Basie's Jumpin' at the Woodside. This exciting cha...

This laidback cha-cha will cool off any program with its smooth groove and infectious melody. A written solo for first tenor is provided, but in his score notes Mike gives directors the option of exte...

Commissioned by the Lawrence University 2010 Jazz Weekend (Appleton, WI), this work features a straight 8th-note groove which creates a unique setting for creative solo work and exciting ensemble play...

Ranges - Trp:A5, Trb:F4;

Inspired by the music of Pat Metheny and Lyle Mays, this relaxed bossa casts piano in the primary solo role, with tenor sax taking a solo chorus midway through. Though the chart is relatively quiet, r...

Cafe Rio ist das erste Stück auf David Benoits CD Full Circle aus dem Jahr 2006, das mit dieser Ausgabe in einer fabelhaften Adaption für Jazz-Ensemble vorliegt. Mike Tomaro bleibt in seiner Bearbeitu...

Ranges: C6 trumpet, Ab5 trombone Solos: AD LIB: TROMBONE, GUITAR Rhythm Section: PARTIALLY Instrumentation: STANDARD, PLUS 5TH TRUMPET

Commissioned by the Pennsylvania Unit of IAJE for the 2000 All-State Jazz Ensemble, this ambitious chart features two open solo sections (one for brass, one for saxes), several dramatic modulations, a...

Legendary composer/performer Wayne Shorter has contributed many outstanding jazz standards over the years. On Speak No Evil, one of his best-known gems, Mike Tomaro has created a beautiful arrangement...

Here is unique and creative take on Charlie Brown's favorite holiday tune. Featuring a relaxed swing style in 4/4 (rather than the usual 3/4), along with a rich harmonic palette and masterful little b...

Here is unique and creative take on Charlie Brown's favorite holiday tune. Featuring a relaxed swing style in 4/4 (rather than the usual 3/4), along with a rich harmonic palette and masterful little b...

Here is unique and creative take on Charlie Brown's favorite holiday tune. Featuring a relaxed swing style in 4/4 (rather than the usual 3/4), along with a rich harmonic palette and masterful little b...

This well-known standard from the 1940s never sounded quite like this! Featuring a slow, simmering shuffle funk style, the rhythm section lays down the groove with the trombone section playing the tun...

This well-known standard from the 1940s never sounded quite like this! Featuring a slow, simmering shuffle funk style, the rhythm section lays down the groove with the trombone section playing the tun...

This well-known standard from the 1940s never sounded quite like this! Featuring a slow, simmering shuffle funk style, the rhythm section lays down the groove with the trombone section playing the tun...

This well-known standard from the 1940s never sounded quite like this! Featuring a slow, simmering shuffle funk style, the rhythm section lays down the groove with the trombone section playing the tun...