Morris Aborn

Be Merciful, Be Gracious is a chorus from Edward Elgar's 'The Dream of Gerontius', scored for SATB Voices and Organ or Piano accompaniment in this Novello edition. The Dream of Gerontius, Op. 38, is a...

Composed in 1903, Weary Wind Of The West celebrates the bracing and poignant power of the elements, and is the setting of a text by T. E Brown.

In addition to the many large-scale works for which he is celebrated, Elgar also wrote a plethora of songs, among them approximately fifty part-songs. Fly, Singing Bird is one part of a two-part work...

Elgar Edward The Fountain Satb Choral

The Dream Of Gerontius was composed in 1900 for the Birmingham Music Festival. It was a large-scale work for chorus, soloists and orchestra, setting a poem by Cardinal John Henry Newman. The section o...

For Upper Voices (SSA) and Piano.

Version for Upper Voices and accompaniment.

This is a substantial setting of the canticles of Mary and Simeon, suitable for use in both concert and liturgical settings. Notably, the choir is accompanied by piano and organ, a combination that re...

Elgar / arr. Manney

Version for Upper Voices.

Elgar is often considered the greatest English composer after Purcell while Richard Strauss called him the first English progressive musician of the 19th century. Here are 5 choral works that are wond...

The Light Of Life Op. 29 (Lux Christi), a short oratorio for soli, chorus and orchestra. Words written by Rev. E. Capel-Cure. First performed at the Worcester Festival, September 1896. Full score and...

Elgar's adaptation of Ben Jonson's opera The Devil Is An Ass, edited, arranged and orchestrated by Percy Young. Vocal score.

Written for SATB choir and piano.

Written for SATB choir with piano accompaniment.

Composed in 1903, Weary Wind Of The West is a setting of a text by T. E. Brown celebrating the powerful beauty of the elements.

Written for SATB choir with piano for rehearsal only.

Taken from For the fallen and arranged for SATB choir and piano accompaniment.

Written for SATB choir and piano. This is the last chorus from Caractacus.

Originally published in Epiphany to All Saints for Choirs, this setting of Ave Maria is both gentle and expressive. Fervent passages blend seamlessly with moments of reflection while the organ support...

Coro SATB, Org