Morten Lauridsen

Die Heimat im Herzen, ein wunderbarer Walzer von Elmar Wolf und den Neuen Egerländern.

Scored for Violin, Cello and Piano. Duration 3 minutes. In manuscript.

Philip Glass's String Quartet No. 4 was composed as part of the Memorial concert for the artist Brian Buczak. Commissioned by Geoffrey Hendricks, it received its first performance on 4 July 1989 at th...

An excellent contemporary string quartet by the innovative Philip Glass.

For Solo Flute

In the past two decades years, American composer Philip Glass has become a prominent and unique figure in the international music world. Writing operas, orchestral and choral works and music for film,...

An opera in four acts for ensemble, chorus and soloists in full score.

This is the Full Score of Philip Glass's wonderful Violin Concerto No. 2 'American Four Seasons', arranged for Violin and Orchestra. The piece was commissioned by Toronto Symphony Orchestra and London...

Commissioned by the Klavier-Festival Ruhr 2008, pianists Dennis Russell Davies & Maki Namekawa premiered Philip Glass's Four Movements for Two Pianos on July 7, 2008.

In the past two decades years, American composer Philip Glass has become a prominent and unique figure in the international music world. Writing operas, orchestral and choral works and music for film,...

Song cycle by Philip Glass for piano and voice. Lyrics by Paul Simon, Suzanne Vega, David Byrne and Laurie Anderson. Piano reduction with words. Suitable for advanced pianists.

Rückseitentitel: Musik im Blut

Philip Glass 'Gradus' arranged for solo Soprano saxophone. Duration 9 minutes.

A solo organ piece by the innovative North American composer Philip Glass.

Three Choruses for Mixed Voices (S.A.T.B.) with texts by Carl Sandburg

For Mixed Voices, Flute, Soprano Saxophone and Tenor Saxophone.

Work composed in 2000, for Organ and two Didgeridoos.

Philip Glass, early protagonist of the Minimalist movement, studied with Milhaud and Nadia Boulanger. His first job, assisting Ravi Shankar on a film soundtrack, heralded the start of his own successf...

Jay Althouse told us he thought Marta Keen's HOMEWARD BOUND was one of the finest pieces he's ever arranged. And we think it might be one of Jay's best arrangements. The haunting, folk-like melody ope...