Niels Frevert

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

This wonderful tune from the early '60s has become a standard recorded by countless artists over the years, most notably Nat King Cole. Mark's setting as a solo feature for alto sax is in a smooth and...

Für viele Chorsänger*innen ist Jesu, meine Freude nicht eine, sondern die Motette Bachs. Und tatsächlich ist es unter den Ausnahmewerken, als die man Bachs Motetten insgesamt bezeichnen muss, wiederum...

Für viele Chorsänger*innen ist Jesu, meine Freude BWV 227 nicht eine, sondern die Motette Bachs. Und tatsächlich ist es unter den Ausnahmewerken, als die man Bachs Motetten insgesamt bezeichnen muss,...