Nite Driscoll

From the popular Broadway musical showcasing the 1960s pop hits of Frankie Valli and the Four Seasons, here is an energetic and dynamic opener based on Can't Take My Eyes Off of You and Big Girls Don'...

Written with plenty of variety in scoring and dynamics plus a short percussion break, this entertaining production number is based on the 1960s hits by the Four Seasons December 1963 (Oh, What a Night...

Michael Brown's lush treatment of Frankie Valli's hit ballad Can't Take My Eyes Off of You opens with a solo or soli for horns followed by a creative mix of modulations and dramatic effects. The endin...

Selected by the National Endowment for the Arts as an one of the American Masterpieces of choral music.

Selected by the National Endowment for the Arts as an one of the American Masterpieces of choral music.

This a cappella arrangement was originally published in The Dett Collection of Negro Spirituals (1936). Share this impressive work with today's choirs in a carefully crafted new edition by Dr. Marques...

This a cappella arrangement was originally published in The Dett Collection of Negro Spirituals (1936). Share this impressive work with today's choirs in a carefully crafted new edition by Dr. Marques...

Out of print for a number of decades, this important oratorio for soli, chorus and orchestra is once again available. The text is based on scripture and folk lore. Instrumental parts available for ren...

John Philip Sousa selbst war ein Fan der Musik dieses bedeutenden afro-amerikanischen Komponisten. Cave of the Winds ist ein origineller und höchst origineller Marsch, der von der Percy-Grainger-Exper...

Listen to the Lambs is, in its original form, an a cappella choral work. Called "a religious characteristic in the form of an anthem" by its composer, the composition is one of breath-taking beauty an...

Nathaniel Dett was one of John Philip Sousa's favorite composers, even in a time when racial relations in the United States were less than optimal. Dett's music is filled with melodic charm and harmon...

Listen to the Lambs is, in its original form, an a cappella choral work. Called "a religious characteristic in the form of an anthem" by its composer, the composition is one of breath-taking beauty an...

"In the Bottoms" is a Suite of five numbers giving pictures of moods or scenes peculiar to African-American life in the river bottoms of the South.  It is similar in its expression, and...

Robert Nathaniel Dett (1882-1943) wrote Enchantment: A Romantic Suite for the piano on an Original Program in 1922. A programmatic piece in four movements, Dett offers text at the beginning for each m...

Robert Nathaniel Dett was a Canadian-American Black composer, organist, pianist, choral director, and music professor. Born and raised in Canada until the age of 11, he moved to the United States with...

Duette ursprünglich für Dudelsäcke, Drehleiern oder andere Instrumente - Original Duos for Bagpipe, Hurdy-gurdy or other Instruments arranged for Recorders Alt-Blockflöte in f,g (2) - Spielpartitur

Dieses wunderschöne Arrangement enthält das Adagio Cantabile, den zweiten Satz von Cinnamon Grove von Robert Nathaniel Dett, der 1908 als erster Komponist afrikanischer Abstammung seinen Abschluss am...

Dieses wunderschöne Arrangement enthält das Adagio Cantabile, den zweiten Satz von Cinnamon Grove von Robert Nathaniel Dett, der 1908 als erster Komponist afrikanischer Abstammung seinen Abschluss am...

John Philip Sousa himself was a fan of the music of this important African-American composer. Cave of the Winds is an inventive and highly original march scored for band by Percy Grainger expert Dana...

Among Dett's earliest titles was his 'Characteristic March Two-Step, ' After the Cake Walk. Perhaps written by Dett when he was a teenager, this edition is wholly based upon its original 1901 band pub...

Cinco Estudios von Andres Batista für die Flamenco-Gitarre.

Eine Reihe von anspruchsvollen und authentischen Flamenco-Gitarrenstudien, die Disziplinen wie Arpeggios, Bindebögen und Tremolo-Picking abdecken.