Noten von Orlando di Lasso

Echo Song has been set for two choirs of 4 clarinets each. As the title would suggest, there is a continuous echo effect throughout the work. An ideal piece for a recital at the university or professi...

Veröffentlicht von der Gesellschaft für Bayerische Musikgeschichte. 1967ff, Broschur. Die Reihe wird fortgesetzt. Neben der Hauptreihe der Neuen Folge der Denkmäler der Tonkunst in Bayern erscheint ei...

Veröffentlicht von der Gesellschaft für Bayerische Musikgeschichte. 1967ff, Broschur. Die Reihe wird fortgesetzt. Neben der Hauptreihe der Neuen Folge der Denkmäler der Tonkunst in Bayern erscheint ei...

Die für Doppelchor geschriebene Komposition Stabat Mater von Orlando di Lasso (1532-1594) ist eine der späteren Lasso-Motetten und dürfte am Anfang der achtziger Jahre des 16. Jahrhunderts entstanden...

Lasso, Orlando di (1532 - 1594)

This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

This playful French chanson by di Lasso is delightful! Easily learned and effective in performance! Also includes an English text. Performance Time: Approx. 1:00

Prolific composer Orlando di Lasso's madrigal is carefully arranged for SATB voices with a fresh harmonic treatment. Understated in its approach, the arrangement is relaxed and maintains the beauty of...

For Mixed Voice Choir (SATB) A Cappella.

For SATB Choir A Cappella.

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...