Paul M. Douglas

for Flute, Violin and Continuo. Mondonville (1711-1772), a younger contemporary of Rameau, enjoyed considerable success in his day, especially for his vocal output. Although part two of this chamber t...

Resurrected from a concerto for flute and orchestra, this resultant composition is delightful to perform.

Originally for two oboes and English horn, this charming work is a great piece which can be played by winds or strings in a variety of combinations. Instrumentation: Part 1 - Flute; Part 2 - Violin (o...

Cambini is credited with 'inventing' the woodwind quintet (fl/ob/clar/horn/bsn). In his turbulent life, he composed a large number of chamber works as well as symphonies, concerti, and operas. This ed...

From 'Sonatinas for Piano,' these pieces are light and lyrical in the late classical style. A welcome addition to the trio repertoire. Instrumentation: Part 1 - Flute; Part 2 - Violin (or Flute/Oboe);...

Contrary to the common 18th-century practice of writing 'all-purpose' duets for any combination of treble instruments, these six sonatas represent authentic works written specifically for these instru...

A welcome addition to the flute/violin/viola repertoire. These are truly 'concertante' trios; all three parts are quite independent, each one bearing its share of solo and supporting roles.

Originally for piano, this edition follows the common practice of the late 18th and early 19th-centuries of producing transcriptions for multiple combinations of instruments. The editor has attempted...

for Flute and Viola. Originally for flute and violin, this edition, with the violin line transcribed to alto clef, is a welcome addition to the flute and viola repertoire.

From Tafelmusik II, this Quartet incorporates four movements: Andante, Vivace, Largo, Allegro. With variable instrumentation, it is a wonderful addition to the chamber music repertoire.