Paul Mehling

Commissioned by the acclaimed Midwest Clinic in 2005, this exciting work by Samuel Hazo demonstrates the composer's continued fresh approach and unique vision for wind bands. Scored for brass and perc...

Duractiona: ca. 5 1/2 minutes

Die 'Keltic Variations' sind im Stile von Matrosenliedern geschrieben, die von den Seemännern im Nordwesten Europas gesungen wurden. Das Stück stellt die musikalische Form von ‚Thema und Variation' in...

Windependence - Apprentice, Advanced (Grade 3) Themes in Keltic Variations are based on a style of sea chanteys sung by sailorsin northwestern Europe. Written for students at middle and high school le...

After a bombastic rapid-fire brass fanfare, the woodwinds take hold of a soaring melody that is then interspersed with full ensemble splashes. Woodwind flourishes and expansive scoring lend a grandios...

Even though the themes used in this beautiful setting are original, it is intended to be played in the style of a slow Southern folk hymn, similar to Amazing Grace or Shenandoah. Filled with suspensio...

The Decorah (IA) High School Wind Ensemble commissioned Enchanted Spaces to both capture the magic of their enchanted city, and to be very playable at the high school level. A sparkling, full ensemble...

Drums of the Saamis wurde von der Medicine Hat Concert Band Society in Medicine Hat, Alberta, Kanada, in Auftrag gegeben. Das Stück erzählt von der Verschmelzung der Kulturen der First Nation (Ureinwo...

Composer Jason Robert Brown says of his debut musical, It's about one moment. It's about hitting the wall and having to make a choice, or take a stand, or turn around and go back. The moment you think...

Still A Woman, written by Mack David, Margo Smith and Norris Wilson, as performed by Margo Smith, arranged for voice and piano with guitar chords.

Take Me Home To Somewhere, as performed by Joe Stampley, arranged for voice and piano with guitar chords.

When I Get My Hands On You, as performed by Diana Trask, arranged for voice and piano with guitar chords.

Diese Adaptation eines traditionellen afroamerikanischen Liedes ist, in den Worten des Bearbeiters Stephen Hatfield, ein gefühlvoller Rammbock mit einem Monster-Rückstoß. Vielfältige aber zu schaffend...

Der Komponist Stephen Hatfield mischt hier einen spanischen und einen englischen Text, die ergründen, wie die Gemeinschaft den Einzelnen unterstütz und erhält - auch dann, wenn dieser Einzelne seiners...