Pietro Lombardi

A favorite at family concerts from community ensembles through the Philadelphia Orchestra, Dorff's Goldilocks uses the familiar story to engage listeners young and old, while the plot and characters i...

The three selected art songs by Dorff use Japanese texts by family and the composer himself and have been premiered in settings from prestigious Suntory Hall in Tokyo to a dock floating on the banks o...

A change of pace for low flutes; Dorff's BALLADE is a 7-minute slow-fast-slow exploration. The rich beauty of alto and bass flute sonorities; particularly in their low registers; is inspired by jazz v...

Summer Solstice is a 19-minute concerto in three movements; composed for solo clarinet with a colorfully-textured string orchestra. The piano reduction is comfortably voiced for recital use. Dorff's j...

Thierry Escaich: Concerto (Organ)

For Flute Ensemble (with optional narrator and/or dance)

To mark its 50th anniversary, the Flute Society of Washington commissioned Daniel Dorff to compose a celebratory work for large flute ensemble, to premiere en masse at its 2016 convention. Dorff respo...

Dorff's landmark trio for flute, clarinet, and piano is a suite of five movements expressing intricate beauty, poignant scenery, and pure joy. Dur. : 21'

Drop, Drop, Slow Tears, an anthem for unaccompanied SATB chorus from Crucifixus Pro Nobis on Phineas Fletcher's words.

The tragically early death of Kenneth Leighton robbed cathedral music of one of its most individual voices. This piece is a compositional showcase: textural inventiveness, motivic cunning, and bristli...

1st performance at St Paul's Church, Covent Garden, December 15, 1969 by Nicholas Cleobury (at the memorial service for Maurice de Sausmarez). Duration c. 5 minutes.

The composer wrote of this work, 'Although purely abstract in design, the work attempts to give musical expression to the individual's struggle fo belief in the miracle of the resurrection…The form of...

The tragically early death of Kenneth Leighton robbed cathedral music of one of its most individual voices. This piece is a compositional showcase: textural inventiveness, motivic cunning, and bristli...

Ein leichtes Lied über das Glück, das gar nicht immer so groß sein muss.

Schwungvoller a-cappella-Titel zu jeder Gelegenheit!

This masterful setting of God's Grandeur by Kenneth Leighton composed quite early in his career has characteristic mid-century muscularity. One can discern the influences of Hindemith and Dallapiccola...

Kaum dass man die ersten Töne dieses Arrangements von "E Hawai'i e ku'u one hānau e" hört und singt, wird man im Handumdrehen in Urlaubsstimmung versetzt. Es ist deshalb kein Wunder, dass diese von de...