R. Macray

The late Lenny Breau was admired throughout the world for his complex fingerstyle jazz stylings. The first part contains Breau's Guitar workshop dealing with Building the Blues; Three Against Two, and...

This folio features 12 note-for-note transcriptions of Breau's impressive and intricate guitar playing over the course of his career. Titles include Breau originals and his unique arrangements of stan...

Erst gibt es ein Choral im unverfälschten 'Huggens Stil' und dann einen Fugato-artigen Teil der allmählig Swingallüres bekommt.

Der zweite Teil aus dieser bekannten Suite hat eine sehr expressive Melodie mit einer ausführlichen Solostimme. Dieses Stück ist auch separat sehr erfolgreich geworden.

Dieses originelle A-cappella-Weihnachtsspiritual beginnt mit einer lebhaften Basslinie, und wenn die anderen Stimmen hinzukommen, erstrahlt das Stück richtig. Ein kontrastierender Mittelteil basiert a...

Armageddon is 'Adolphus Hailstork's appropriately turbulent 29-minute response to the events of September 11; 2001' (newmusicbox.org) and features 'really ferocious sounds.' Recorded by James Krosnick...

For the Harlem Chamber Players, Hailstork uses text by American poet Herbert Martin that hears one of the thieves on the other crosses being crucified along with Christ and pleading to be remembered b...

Hailstork pays homage to the city that had given him many opportunities early on, to help establish his career as composer. The first three movements describe Detroit Grit, Detroit Nocturne, and Detro...

Hailstork pays homage to the city that had given him many opportunities early on, to help establish his career as composer. The first three movements describe Detroit Grit, Detroit Nocturne, and Detro...