R. Portejoie

Marina Piccinini's new arrangements of the Caprices remain true to Paganini's uncompromising artistic vision and showcase an array of challenging techniques that idiomatically exploit the unique tone...

A fabulous reduction of this famous piece that is so versatile! All strings can remain in first position, double stops may be divided, repeats can be optional, and this piece works well with only stri...

This is the best of me, schrieb Edward Elgar hinter den Schlusstakt seines "Dream of Gerontius". Das 1900 uraufgeführte Werk gehört in Großbritannien längst zu den Standardwerken großer Oratorienchöre...

Orchestration: Flute, Oboe, 2 Clarinets in A or Bb, Bassoons, 2 Horns in F Harp or Piano (ad lib) Strings (Violin 1, Violin 2, Viola, Cello, Bass) In 1897 Elgar wrote a short piece for violin and pian...

The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for symphony orchestra without organ...

For SSA unaccompanied The affecting simplicity of this prayer gains an extra purity in this arrangement. A version for SATB is also available. Duration: 1.5 minutes Difficulty: Easy

For SATB (with divisions) unaccompanied. A dramatic and colourful setting of Psalm 81:3 and 4 which is an ideal introit or anthem for festive occasions, or for the opening of a choral concert.

These Amens were written to fill a liturgical and musical gap in services where the prevailing style of the music is romantic. This is the first publication of the Amens in F and A, and the musical st...

Die Vorbilder Finzi und Vaughan Williams sind in diesen drei entzückenden Chorsätzen stark präsent, und doch ist Stil ganz Rutter. 'O Mistress Mine' ist ein hübscher Jazzwalzer, 'Be not afeard' verzau...

SSATB unaccompanied & SSAB soli Duration: 12 minutes Difficulty: Easy to Moderately difficult

For SATB unaccompanied. Also in 100 Carols for Choirs.

For SATB, accompanied and unaccompanied To celebrate the 50th anniversary of the publication of Carols for Choirs 1, OUP presents a new volume in this ground-breaking series. Carols for Choirs 5 conti...

Chor a cappella arrangiert von Lorenz Maierhofer Dean Martin, Freddy Quinn und viele weitere Interpreten machten diesen Hit weltweit populär, mit deutschem wie auch mit englischem Text. Dieser Evergre...

This gentle arrangement of the well-known Gaelic folk tune Morning Has Broken, also known as the hymn tune Bunessan, is part of a collection of six hymn arrangements for choir with harp or piano. A ha...

Fauré's Cantique de Jean Racine has all the emotional appeal and refined elegance that one associates with its composer, and has a cherished place in the repertory of both sacred and secular choirs. T...

Dieses Stück enthält drei Lieder des Walt Disney Klassikers 'The Jungle Book': 'Colonel Hathi's March', 'The Bare Necessities' und 'I Wanna be Like You'. Disney zeugt immer für angenehme und reizende...

Set of parts for John Rutter's enduringly popular setting of William Sharp's uplifting words. Not compatible with the upper-voice or unsion versions.

One of John Rutter's famous carols now arranged for lower voices. In this version, the melody line trades between the tenors and basses, where it is clearly stated when not in the top voice. Also avai...

Brennend heißer Wüstensand. Weitere Chorpartituren auf Anfrage lieferbar.

For SSAA and organ or piano, or strings & harp. Faure's Cantique de Jean Racine has all the emotional appeal and refined elegance that one associates with its composer, and has a cherished place in th...

Diese klassische Rutter-Hymne mit ihrer charaktervollen Klavier- oder Orchesterbegleitung sollte in keinem Chorrepertoire fehlen!

Psalm 48. Anthem for SATB and organ or orchestra. First performed in Westminster Abbey, 16 July 1912. Full score and orchestral material on hire.