R. Portejoie

for mixed choir and piano

Scored for tenor or soprano solo, chorus and orchestra, based on poems by Laurence Binyon. Vocal score with piano accompaniment. Orchestral material available on hire.

A new edition, prepared by Bruce Wood, (2004) of the setting composed for the opening service of the 1897 Three Choirs Festival.

For SATB and piano or orchestra. This chorus also appears in the anthology Opera Choruses. Orchestral material is available on hire

For SATB and piano or orchestra. This chorus also appears in the anthology Opera Choruses. Orchestral material is available on hire

This chorus also appears in the anthology Opera Choruses.

The Oxford Choral Classic Octavos Series makes the best new editions of standard repertoire available to every choir at an attractive price. Drawing on his extensive experience of the needs of choirs...

Well known as an orchestral piece, Fauré's 'Pavane' is here presented with the choir parts the composer himself provided. The vocal score was first published in 1891, the charmingly slight and musical...

For SATB and organ, or harp and strings, to words by John Tauler (1300-61). A tender and lovely setting which is easy to sing. Particularly appropriate for weddings. The orchestral material is availab...

The Oxford Choral Classic Octavos Series makes the best new editions of standard repertoire available to every choir at an attractive price. Drawing on his extensive experience of the needs of choirs...

This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment.

This short work for Oboe and String trio was written c. 1878, probably for performance at Worcester Glee Club. It has never previously been published. Score and parts.

Originally scored in D major for counter-tenor, with trumpet and strings, the work is here arranged by John Rutter for performance by soprano and organ (or strings and organ continuo), with or without...

A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer...

A splendid curtain-raiser to Vivaldi's Gloria, Francesco Durante's artful Magnificat has long been misattributed to his pupil Pergolesi in a version for four voices, not five. Durante's vocally richer...