Ralph Sauer

Unanswered questions shares the solo flute from Ethers, but the sober, intimist character inferred by its intention - in other times, the piece would have been entitled Tombeau de Dominique Troncin -...

Le Fou à pattes bleues (The Blue-Footed Booby)

Das Konzert für Oboe und Orchester von Friedrich Goldmann ist ein 36-minütiges Werk und eines der bedeutendsten Oboenkonzerte des 20. Jahrhunderts. Es gestaltet sich als ausgedehnter sinfonischer Disk...

in 3 Sätzen für Trompete und Orgel. Part. incl. Stimme in C + B. - Angst vor einem Trompetensolo? Treten Sie - gemeinsam mit einem Organisten - mit dieser Sonatina in C auf: Erfolg und Beifall ist Ihn...

An ethereal opening features solo alto saxophone leading to a tuneful and poignant legato theme. The second half of the piece features a rhythmic driving Allegro that leads to a rousing conclusion.

An ethereal opening features solo alto saxophone leading to a tuneful and poignant legato theme. The second half of the piece features a rhythmic driving Allegro that leads to a rousing conclusion.

This novelty piece in rondo form features the clarinet section removing one section of their instrument at a time. As the piece progresses, the instruments become smaller and smaller until the main th...

This novelty piece in rondo form features the clarinet section removing one section of their instrument at a time. As the piece progresses, the instruments become smaller and smaller until the main th...

This novelty piece in rondo form features the clarinet section removing one section of their instrument at a time. As the piece progresses, the instruments become smaller and smaller until the main th...

This novelty piece in rondo form features the clarinet section removing one section of their instrument at a time. As the piece progresses, the instruments become smaller and smaller until the main th...

Ein einfaches Solo für Trompete.

Trumpets in the Night (Trompeten in der Nacht) will dem Publikum etwas anderes bieten. Die Solisten sollen vom dem Orchester entfernt stehen, am liebsten hinten dem Orchester oder mittendrin und auf e...

[...] (Les Sept paroles) benefits from the most recent developments in vocal synthesis. Instead of computer intervention during the concert, an extensive collection of samples elaborated by the compos...

In the mind of a composer, the concept of method is pivotal. At the beginning of this work, an opening figure provides the initial presentation of musical material that will, after a pause, be taken u...

To begin with: a desire for lightness, flexibility, versatility, the preoccupation with avoiding grandiloquence and rhetorical effects as much as possible.Few violent and forthright contours, but rath...

It is at once a continuation of Murail's previous explorations and a radically new departure. Whereas most of his previous music relied essentially on continuous transformation of the material, Time a...

Sables returns to certain preoccupations addressed in Altitude 8000, and takes them further: an absence of punctual events (no percussive sounds), extreme continuity (no silence, aside from the beginn...