Ralph Vaughan Williams

A cantata for SATB chorus and full orchestra OR strings and piano, adapted by the composer from his opera Sir John in Love. Includes settings of words by Shakespeare (from 'Much Ado About Nothing') an...

Also available for full orchestra only.. This tender and much-loved work was composed in 1938 in honour of Sir Henry Wood. It was written for 16 soloists and orchestra but may also be sung by four sol...

A cantata for soprano and baritone soloists, SATB, and large or small orchestra. Drawing upon the Bible, sections from the Mass, and poems by Walt Whitman, this is a powerful evocation of the destruct...

For SATB with organ or piano introduction, to words by John Bunyan.

Orchestral material and the arrangement for women's voices are available on hire.

Flowing and expressive, this is one of Vaughan Williams's most popular and beautiful motets.

This suite from 1925 is one of Vaughan Williams' most enigmatic pieces. The chorus never articulates a single word, and instead serves as a section of the orchestra, creating an elegant vocal texture...

Ursprünglich der vierte Satz von Vaughan Williams' bekannter English Folk Song Suite, wird diese Vertonung von Volksliedern jetzt als eigenständiges Werk angesehen. Mit dieser Ausgabe liegt zum ersten...

Linden Lea is a straightforward adaptation of the famous song by Ralph Vaughan Williams. The song is especially familiar in Britain, where the melody is known in virtually every household. Varied inst...

A series of little books of short carefully graded folk tunes beginning with the simplest passages and progressing to more difficult leaps, rhythms, chromatics, and modulations. The later books introd...

for voice and oboe

Fantasia on Christmas Carols is unique medley offering a fresh alternative to traditional holiday programming. Ralph Vaughan Williams used three folk carols from his native country of England: The Tru...

The work is divided into three self-contained groups of two to three pieces each, and reflects the composer's pleasure in writing an English style of music by evoking, in this case, the forms of song...