Reinhard Gundlach

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's senstive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement...

A superb flugel horn feature of this lyrical ballad, with full band backing, including 4 saxes doubling on clarinets plus 1 tenor sax. The original Genesis music can be heard on the album 'Genesis Liv...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...