Russell L. Robinson

The well-loved song by Robert Lowry takes on a more reflective and emotional style in this a cappella setting for mixed voices. This unique arrangement allows the singer to delve further into the mean...

The well-loved song by Robert Lowry takes on a more reflective and emotional style in this a cappella setting for mixed voices. This unique arrangement allows the singer to delve further into the mean...

The well-loved song by Robert Lowry takes on a more reflective and emotional style in this a cappella setting for mixed voices. This unique arrangement allows the singer to delve further into the mean...

The well-loved song by Robert Lowry takes on a more reflective and emotional style in this a cappella setting for mixed voices. This unique arrangement allows the singer to delve further into the mean...

From the Kavango River region of Namibia in South Africa comes this a cappella work translating as Lord, you are up there and we are down here. Have mercy on us and show us your love. Though unaccompa...

From the Kavango River region of Namibia in South Africa comes this a cappella work translating as Lord, you are up there and we are down here. Have mercy on us and show us your love. Though unaccompa...

Russell Robinson has carefully edited this 17th Century madrigal for today's 3-part choirs. The key has been lowered a fourth, allowing part I to sing in a comfortable, one-octave (D-D) range. It also...

Russell Robinson has carefully edited this 17th Century madrigal for today's 3-part choirs. The key has been lowered a fourth, allowing part I to sing in a comfortable, one-octave (D-D) range. It also...

All Ye Who Love Music was given its English text by Thomas Oliphant in 1837. This arrangement has been lowered one step from the original key of G major to F major. The soprano (Part 1) melody is basi...

All Ye Who Love Music was given its English text by Thomas Oliphant in 1837. This arrangement has been lowered one step from the original key of G major to F major. The soprano (Part 1) melody is basi...

Another well-edited arrangement by Russell Robinson of a light and spirited work from the madrigal repertoire. It's the perfect choice for any SSA or 3-part mixed choir, with or without experience in...

Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.

Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

A finely crafted edition of the classic English madrigal. The editing and easy-to-read open score are right on target for today's choirs. Fluid contrapuntal sections contrast with full sounding homoph...

A finely crafted edition of the classic English madrigal. The editing and easy-to-read open score are right on target for today's choirs. Fluid contrapuntal sections contrast with full sounding homoph...

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

New for SSA and SATB! Russell Robinson has now adapted this widely performed madrigal for treble and SATB choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Another well-edited arrangement by Russell Robinson from the madrigal repertoire. Sung a cappella, or with the piano, the men's part spans only six notes in an easy range for changing voices. Charming...

Another well-edited arrangement by Russell Robinson from the madrigal repertoire. Sung a cappella, or with the piano, the men's part spans only six notes in an easy range for changing voices. Charming...