Samuel Coleridge-Taylor

Die Entstehungszeit (ca. 1893) der Suite de Pièces für Violine und Klavier bzw. Violine und Orgel war für Samuel Coleridge-Taylor (1875-1912) auf dem Gebiet der Kammermusik besonders produktiv. Zu den...

Samuel Coleridge-Taylor was paid three guineas for the publishing rights to his Suite de Pièces by Schott & Co. London on 24 December 1892 when the composer was just 17 years old. In the following yea...

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The Out from the Shadows Choral Series brings you Summer Is Gone, a new setting of British poet Christina Rosetti's 1862 poem Bitter for Sweet. The composer, Samuel Coleridge Taylor, displays superb c...

The Out from the Shadows Choral Series brings you Summer Is Gone, a new setting of British poet Christina Rosetti's 1862 poem Bitter for Sweet. The composer, Samuel Coleridge Taylor, displays superb c...

For Mixed Voice Choir (SSAATTBB) A Cappella.

This cantata, one of Coleridge-Taylor's final works written in 1911, sets the oriental poems of his good friend Alfred Noyes. The work was premiered in 1911 conducted by Arthur Fagge.

First conceived as a solo art song by English composer Samuel Coleridge-Taylor, here the arranger has left the soaring melody in tact as well as the piano accompaniment. Often called 'Black Mahler,' t...

First conceived as a solo art song by English composer Samuel Coleridge-Taylor, here the arranger has left the soaring melody in tact as well as the piano accompaniment. Often called 'Black Mahler,' t...

Bei Einzelabnahme ist die Partitur mit Kopierschutz versehen. Dieser entfällt nur bei gleichzeitiger Abnahme der Chorpartitur in Chorstärke bzw. des Orchestermaterials.