Samuel James Rowton

An excellent medium-swing vocal chart arranged in two keys, high and low to accommodate all vocalists. The low key is A-flat with vocal range from A-flat below middle C to 3rd line B-flat, and the hig...

A swing chart styled after the Michael Bublé version, arranger Scott Ragsdale nailed it. At 148 BPM, in the key of B-flat modulating to C, the vocal range is from F below middle C to 3rd space C, treb...

A swing chart styled after the Michael Bublé version, arranger Scott Ragsdale nailed it. At 148 BPM, in the key of B-flat modulating to C, the vocal range is from F below middle C to 3rd space C, treb...

Vocal with jazz ensemble at a swingin' 160 BPM. Gershwin's great show tune arranged in two keys. The low female key is B-flat with the vocal range from F below middle C to third line B-flat. The high...

Vocal with jazz ensemble at a swingin' 160 BPM. Gershwin's great show tune arranged in two keys. The low female key is B-flat with the vocal range from F below middle C to third line B-flat. The high...

Vocal with jazz ensemble at a swingin' 160 BPM. Gershwin's great show tune arranged in two keys. The low female key is B-flat with the vocal range from F below middle C to third line B-flat. The high...

Ein geschmackvoller Chart mit mittlerem Swing-Feeling bei 120 BPM. Optionale Flügelhörner tragen zu den reichhaltigen Texturen bei, ein geschriebenes Solo ist für das Tenorsaxophon vorgesehen, und der...

Nach einer choralartigen Einleitung mit Trompetenmelodie mündet "Love Is Here to Stay" in einen fröhlichen Swing um 184 BPM mit vorgeschlagenen Soli für Tenor und Alt. Der Tonumfang der Lead-Trompete...

Nach einer choralartigen Einleitung mit Trompetenmelodie mündet "Love Is Here to Stay" in einen fröhlichen Swing um 184 BPM mit vorgeschlagenen Soli für Tenor und Alt. Der Tonumfang der Lead-Trompete...

Nach einer choralartigen Einleitung mit Trompetenmelodie mündet "Love Is Here to Stay" in einen fröhlichen Swing um 184 BPM mit vorgeschlagenen Soli für Tenor und Alt. Der Tonumfang der Lead-Trompete...

A legendary flag waver that features a rare drum solo by Chick Webb, this was one of the standards that ushered in the 'Jazz Age.' Prominently featuring the drums throughout, a brass fanfare opens thi...

Composed by Wayne Shorter and recorded by Art Blakey & the Jazz Messengers in 1963 on Ugetsu, here is One by One in a dynamic and muscular big band chart from the pen of Mark Taylor. Featuring a small...

Recorded by Art Blakey & the Jazz Messengers on the classic 1961 album Mosaic, this jazz standard shows the harmonically mature writing style of Wayne Shorter along with an intense hard bop energy. Ma...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

This clever tune by George Gershwin has long been a favorite with jazz musicians. Mark's upbeat swing setting is a true showcase for the entire ensemble, with inventive tutti ensemble passages intersp...

Start your band off swinging with this Gershwin standard arranged by Ralph Ford. The trombones start things off, add the brass section, then add a sax soli. Hold on, there's more; into a tutti for the...

Bill Holman arranged this gem of a Bobby Troup composition for the Charlie Barnet Big Band. This is a great, old school swingin' chart complete with solo space for alto saxophone and trumpet. Unison m...

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Three Evocations for 2 Flutes is an exquisite addition to...

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